In the Event
Disponible
Résumé
John Birtwhistle's first collection since 2013, this is a thematic sequel to his previous collection Eventualities.
John Birtwhistle has said that 'one writes each poem just to learn how to write it', and insists that he 'doesn’t care a dried pea for Artistic Development or Finding One's Own Voice'. The result, of course, is that a strongly recognisable voice comes through. For all their variety of forms and ideas, his poems are consistent in their visual precision, their scrupulous phrasing and their formal clarity. These qualities are brought to everything he touches, whether it is a passing moment of childhood, a natural detail, a wryly stoic observation, or perennial emotions in the face of events from before birth (first foetal movements) to after burial (removal to an ossuary). Many scores of individuals are named or make their appearance in some way. If one poem is satiric, the next is unashamedly lyrical. Several reflect on the adequacy of art, and a feature is the stream of very short pieces by way of illustration or riposte, like the border of the Bayeux Tapestry. Wit and feeling are so interwoven in Birtwhistle's technique, that when it comes to the register of loss and death he is able to find what an otherwise hostile critic admitted 'can be a kind of bridled eloquence'. Word frequency analysis shows a high incidence of time, thought, light, morning, child, apple tree, painting and fossil.
John Birtwhistle has said that 'one writes each poem just to learn how to write it', and insists that he 'doesn’t care a dried pea for Artistic Development or Finding One's Own Voice'. The result, of course, is that a strongly recognisable voice comes through. For all their variety of forms and ideas, his poems are consistent in their visual precision, their scrupulous phrasing and their formal clarity. These qualities are brought to everything he touches, whether it is a passing moment of childhood, a natural detail, a wryly stoic observation, or perennial emotions in the face of events from before birth (first foetal movements) to after burial (removal to an ossuary). Many scores of individuals are named or make their appearance in some way. If one poem is satiric, the next is unashamedly lyrical. Several reflect on the adequacy of art, and a feature is the stream of very short pieces by way of illustration or riposte, like the border of the Bayeux Tapestry. Wit and feeling are so interwoven in Birtwhistle's technique, that when it comes to the register of loss and death he is able to find what an otherwise hostile critic admitted 'can be a kind of bridled eloquence'. Word frequency analysis shows a high incidence of time, thought, light, morning, child, apple tree, painting and fossil.
Spécifications produit
Contenu
Langue
en
Version
Broché
Date de sortie initiale
29 octobre 2020
Nombre de pages
96
Illustrations
Non
Informations sur le fabricant
Nom du fabricant
Libri GmbH
Adresse électronique du fabricant
gpsr@libri.de
Informations sur le fabricant
Les informations du fabricant ne sont actuellement pas disponibles
Autres spécifications
Hauteur de l'emballage
8 mm
Hauteur du produit
8 mm
Largeur d'emballage
135 mm
Largeur du produit
135 mm
Livre d‘étude
Non
Longueur d'emballage
216 mm
Longueur du produit
216 mm
Police de caractères extra large
Non
Porno
Non
EAN
EAN
9781784109936
Sécurité des produits
Opérateur économique responsable dans l’UE
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