The Town and the City

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Jack Kerouac
Kerouac was born Jean-Louis Lebris de Kerouac, in Lowell, Massachusetts, to a family of Franco-Americans. His parents, Leo-Alcide Kerouac and Gabrielle-Ange Levesque, were natives of the province of Quebec in Canada. Like many other Quebecers of their generation, the Levesques and Kerouacs were part of the Quebec emigration to New England to find employment. Jack didn't start to learn English until the age of six. At home, he and his family spoke Quebec French. At an early age, he was profoundly marked by the death of his elder brother Gerard, later prompting him to write the book Visions of Gerard.
In 1950 his first novel was published, under the name ""John Kerouac"". Unlike Kerouac's later work which establish his Beat style, ""The Town and the City"" is heavily influenced by Kerouac's reading of Thomas Wolfe.
Kerouac wrote constantly, but did not publish his next novel, On the Road, until 1957. Narrated from the point of view of the character Sal Paradise, this mostly autobiographical work of fiction described his roadtrip adventures across the United States and into Mexico with Neal Cassady, the model for Dean Moriarty in the book. In a way, the story is an offspring of Mark Twain's classic Huckleberry Finn, though in On the Road the narrator (Sal Paradise) is twice Huck's age, and Kerouac's story is set in the America of about a hundred years after. The novel is often described as the defining work of the post-World War II jazz, poetry, and drug affected Beat Generation; it made Kerouac ""the king of the beat generation."" Using Benzedrine and coffee, Kerouac wrote the entire novel in only three weeks in an extended session of spontaneous prose, his original writing style, heavily influenced by Jazz (especially Bebop), and later Buddhism. Kerouac was hailed as a major American writer, and reluctantly as the voice of the Beat Generation. His fame would come as an unmanageable surge that would ultimately be his undoing.
His friendship with Allen Ginsberg, William Burroughs and Gregory Corso, among others, defined a generation. Kerouac also wrote and narrated a ""Beat"" movie titled Pull My Daisy in 1958. In 1954, Kerouac discovered Dwight Goddard's A Buddhist Bible at the San Jose Library, which then marked the beginning of his studies of Buddhism and his own personal quest for enlightenment.
He died on October 21, 1969 at St. Anthony's Hospital in St. Petersburg, Florida, from an internal hemorrhage caused by cirrhosis of the liver at the age of 47, the unfortunate result of a life of heavy drinking. He was living at the time with his third wife Stella, and his mother Gabrielle. He is buried in his home town of Lowell.
Op bol.com vind je alle boeken van Jack Kerouac, waaronder het nieuwste boek van Jack Kerouac."Résumé
' De Kerouac, on a surtout lu Sur la route et Les Clochards célestes, mais on connaît peu The Town and the City. C’est pourtant le premier roman de Kerouac, publié en 1950, celui qui annonce l’inspiration fabuleuse d’un auteur prolifique.“The Town”, c’est en fait Galloway (Massachusetts), petite ville de tisserands où s’écoule une existence mi-rurale, mi-citadine, celle de la famille Martin, unie par l’affection mais surtout soucieuse de faire durer les bonheurs fragiles – le cidre qu’on boit au gallon, le chahut des polkas, et l’émoi des premières tendresses, sous les feuillées tremblantes. “The City”, le New York des années 1940, en est la figure d’opposition, où le jeune Peter Martin entamera sa carrière de footballeur tout en découvrant l’ébullition de la vie urbaine, mais aussi la fureur poétique – le roman retrace l’émergence prometteuse de la Beat Generation, chacun des personnages de la “city” incarnant un adepte du mouvement : Leon Levinsky est Allen Ginsberg, Kenneth Wood est Lucien Carr, Will Dennison campe William Burroughs. Il faut relire The Town and the City, ce roman sur lequel Kerouac a planché de 1946 à 1948, qui dépeint avec une gaieté triste, comme s’il s’agissait d’une civilisation vouée à disparaître, la beauté brute des cols bleus, la force de leurs traditions et de leur musique folk. ' Marion Bet, Zone critique.
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