Three Letters and an Essay by John Ruskin 1836-1841. Found in his tutor's desk

John Ruskin

Langue: Anglais

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enlivre numérique859654718467616 août 2022EPUB2

John Ruskin

John Ruskin was born in London in 1819, of Scottish descent. His father was a succesful wine-merchant and art lover; his mother a strict Evangelical whose religious instruction affected him deeply. He entered Christ Church, Oxford, in 1836 and graduated in 1842. In 1843, the first of the five volumes of Modern Painters was published, a work written in defense of J.M.W. Turner. The other volumes survey the main traditions of European painting from Giotto to the nineteenth century. Ruskin was also passionately interested in Gothic architecture and published two books on the subject before the completion of Modern Painters: The Seven Lamps of Architecture (1849) and the three volumes of The Stones of Venice in 1851 and 1853. He married Effie Gray in 1848, but seven years later the marriage was annulled on grounds of non-consummation. In 1858 he met Rose la Toche, a girl of nine, with whom he fell in love and became increasingly obsessed, and in that year he finally lost his Evangelical faith. In 1860, disillusioned with a society in which poverty was rampant and the poor exploited, he began the first of four essays attacking the science of Political Economy. They were published in book form in 1862, uner the title, Unto this Last. This was followed in 1863 by Munera Pulveris, which puts forward some positive proposals for economic change and reform. In 1869 he became the first Slade Professor of Fine Art at Oxford and in 1871 began writing Fors Clavigera, a series of open letters which draw connections between diverse subjects. He also took part in many practical projects, many of which he directed by way of his Utopian pressure-group, the Guild of St. George. When Rose la Touche died insanse in 1875, however, he began to show signs of mental disturbance and suffered the first of seven mental breakdowns in 1878. In 1885 he began publishing his autobiography, Praeterita. This moving and lyrical book was brought to a premature conclusion by his last and most violent breakdown in 1889. He lived on, withdrawn and inactive, until 1900.
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Résumé

In "Three Letters and an Essay," John Ruskin beautifully articulates his early reflections on art, architecture, and society, penned between 1836 and 1841. Enhanced by a distinctive prose style that mingles lyrical elegance with rigorous analysis, these writings serve as a prelude to Ruskin's later, more extensive works. The letters, discovered in his tutor's desk, offer a glimpse into his formative thoughts, which were deeply influenced by the Romantic ideals of beauty and truth, as well as the socio-political upheavals of early Victorian England. Ruskin's engagement with the visual arts is not merely aesthetic but also ethical, as he wrestles with the implications of craftsmanship and the moral responsibilities of the artist. John Ruskin (1819-1900), a polymath and influential art critic, drew inspiration from his early education under notable figures such as his tutor, John Thomas Jones. His upbringing in a mercantile family exposed him to the intersections between commerce and artistry, shaping his beliefs about the importance of integrating beauty into everyday life. This period marked the inception of Ruskin's lifelong advocacy for social reform through art, which would become a cornerstone of his later writings. "Three Letters and an Essay" is essential reading for anyone interested in the genesis of Ruskin's thought and the foundations of modern art criticism. It is a compelling exploration of the relationship between art and society, revealing the societal implications that underpin artistic practices. This book invites readers to reflect on their own perceptions of beauty and the moral dimensions of creativity.

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16 août 2022
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