A Christmas Carol in Prose : Being a Ghost Story of Christmas Ebook Tooltip With original illustrations

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A Christmas Carol in Prose : Being a Ghost Story of Christmas
Auteur: Charles Dickens
  • Engels
  • E-book
  • Introductie: 2019-09-18
  • Adobe ePub
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Charles Dickens

Twaalf jaar oud was Charles John Huffham Dickens toen hij in dienst kwam van Warren's Blackening Factory, een schoensmeerfabriek in Londen. Zijn vader was in het gevang beland door zijn financiële wanbeleid en er moest brood op de plank. Charles Dickens beschouwde zijn tijd als fabrieksarbeider als de vreselijkste periode in zijn leven, een afschuw die doorklinkt in romans als Great Expectations en David Copperfield.Nadat hij zijn school had afgemaakt, werd Dickens freelance verslaggever voor de krant. Hij werkte keihard en huwde Catherine Hogarth in april 1836. Zijn eerste feuilleton, The Pickwick Papers, was zo'n succes dat er nog vele zouden volgen. Dickens gaf ook lezingen van zijn werk en die waren immens populair.Het succes gaf Dickens eindelijk de mogelijkheid om te reizen en hij bezocht o.m. Italië, Zwitserland en Frankrijk. Zijn huwelijk was echter niet erg gelukkig en in 1858 besloten hij en zijn vrouw dat het beter zou zijn als hun wegen scheidden.Charles Dickens werkte aan Edwin Drood, toen hij getroffen werd door een beroerte. Hij stierf de volgende dag. Hij is begraven in Westminster Abbey, Londen. Op bol.com vind je alle boeken van Charles Dickens, waaronder het nieuwste boek van Charles Dickens.

Samenvatting

The combined qualities of the realist and the idealist which Dickens possessed to a remarkable degree, together with his naturally jovial attitude toward life in general, seem to have given him a remarkably happy feeling toward Christmas, though the privations and hardships of his boyhood could have allowed him but little real experience with this day of days.

Dickens gave his first formal expression to his Christmas thoughts in his series of small books, the first of which was the famous "Christmas Carol," the one perfect chrysolite. The success of the book was immediate. Thackeray wrote of it: "Who can listen to objections regarding such a book as this? It seems to me a national benefit, and to every man or woman who reads it, a personal kindness."

This volume was put forth in a very attractive manner, with illustrations by John Leech, who was the first artist to make these characters live, and his drawings were varied and spirited.

There followed upon this four others: "The Chimes," "The Cricket on the Hearth," "The Battle of Life," and "The Haunted Man," with illustrations on their first appearance by Doyle, Maclise, and others. The five are known to-day as the "Christmas Books." Of them all the "Carol" is the best known and loved, and "The Cricket on the Hearth," although third in the series, is perhaps next in point of popularity, and is especially familiar to Americans through Joseph Jefferson's characterisation of Caleb Plummer.

Dickens seems to have put his whole self into these glowing little stories. Whoever sees but a clever ghost story in the[iv] "Christmas Carol" misses its chief charm and lesson, for there is a different meaning in the movements of Scrooge and his attendant spirits. A new life is brought to Scrooge when he, "running to his window, opened it and put out his head. No fog, no mist; clear, bright, jovial, stirring cold; cold, piping for the blood to dance to; Golden sun-light; Heavenly sky; sweet fresh air; merry bells. Oh, glorious! Glorious!" All this brightness has its attendant shadow, and deep from the childish heart comes that true note of pathos, the ever memorable toast of Tiny Tim, "God bless Us, Every One!" "The Cricket on the Hearth" strikes a different note. Charmingly, poetically, the sweet chirping of the little cricket is associated with human feelings and actions, and at the crisis of the story decides the fate and fortune of the carrier and his wife.

Dickens's greatest gift was characterization, and no English writer, save Shakespeare, has drawn so many and so varied characters. It would be as absurd to interpret all of these as caricatures as to deny Dickens his great and varied powers of creation. Dickens exaggerated many of his comic and satirical characters, as was his right, for caricature and satire are very closely related, while exaggeration is the very essence of comedy. But there remains a host of characters marked by humour and pathos. Yet the pictorial presentation of Dickens's characters has ever tended toward the grotesque. The interpretations in this volume aim to eliminate the grosser phases of the caricature in favour of the more human. If the interpretations seem novel, if Scrooge be not as he has been pictured, it is because a more human Scrooge was desired—a Scrooge not wholly bad, a Scrooge of a better heart, a Scrooge to whom the resurrection described in this story was possible. It has been the illustrator's whole aim to make these people live in some form more fully consistent with their types.

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Oorspronkelijke releasedatum
18 september 2019
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