The Nigger of the "Narcissus" A Tale of the Forecastle

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Joseph Conrad
Joseph Conrad (1857-1924) was born in Berdichev, in the Ukraine, in a region that had once been a part of Poland but was then under Russian rule. His father Apollo Korzeniowski was an aristocrat without lands, a poet and translator of English and French literature. The family estates had been sequestrated in 1839 following an anti-Russian rebellion. As a boy the young Joseph read Polish and French versions of English novels with his father. When Apollo Korzeniowski became embroiled in political activities, he was sent to exile with his family to Volgoda, northern Russia, in 1861.
By 1869 Conrad's both parents had died of tuberculosis, and he was sent to Switzerland to his maternal uncle Tadeusz Bobrowski, who was to be a continuing influence on his life. Conrad attended schools in Kraków and persuaded his uncle to let him go to the sea. In the mid-1870s he joined the French merchant marine as an apprentice, and made three voyages to the West Indies between 1875 and 1878. During his youth Conrad also was involved in arms smuggling for the Carlist cause in Spain.
After being wounded in a duel or of a self-inflicted gunshot in the chest, Conrad continued his career at the seas for 16 years in the British merchant navy. This was a turning point in his life. Conrad rose through the ranks from common seaman to first mate, and by 1886 he obtained his master mariner's certificate, commanding his own ship, Otago. In the same year he was given British citizenship and he changed officially his name to Joseph Conrad.
In 1890 he sailed in Africa up the Congo River. The journey provided much material for his novel Heart of Darkness. However, the fabled East Indies particularly attracted Conrad and it became the setting of many of his stories. By 1894 Conrad's sea life was over. During the long journeys he had started to write and Conrad decided to devote himself entirely to literature. At the age of 36 Conrad settled down in England.
Although Conrad is known as a novelist, he tried his hand also as a playwright. His first one-act play was not success - the audience rejected it. But after finishing the text he learned the existence of the Censor of the Plays, which inspired his satirical essay about the obscure civil servant. Conrad was an Anglophile who regarded Britain as a land which respected individual liberties. As a writer he accepted the verdict of a free and independent public, but associated this official figure of censorship to the atmosphere of the Far East and the 'mustiness of the Middle Ages', which shouldn't be part of the twentieth-century England.
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A work that aspires, however humbly, to the condition of art should carry its justification in every line. And art itself may be defined as a single-minded attempt to render the highest kind of justice to the visible universe, by bringing to light the truth, manifold and one, underlying its every aspect. It is an attempt to find in its forms, in its colours, in its light, in its shadows, in the aspects of matter and in the facts of life what of each is fundamental, what is enduring and essential—their one illuminating and convincing quality—the very truth of their existence. The artist, then, like the thinker or the scientist, seeks the truth and makes his appeal. Impressed by the aspect of the world the thinker plunges into ideas, the scientist into facts—whence, presently, emerging they make their appeal to those qualities of our being that fit us best for the hazardous enterprise of living. They speak authoritatively to our common-sense, to our intelligence, to our desire of peace or to our desire of unrest; not seldom to our prejudices, sometimes to our fears, often to our egoism—but always to our credulity. And their words are heard with reverence, for their concern is with weighty matters: with the cultivation of our minds and the proper care of our bodies, with the attainment of our ambitions, with the perfection of the means and the glorification of our precious aims.
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