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Jean Toomer
Jean Toomer (1894-1967) was an African American novelist and poet who wrote during the Harlem Renaissance. The son of a mixed-race freedman born into slavery who later joined ranks with the mulatto elite in Washington, D.C., Toomer's lighter skin and upbringing in all-white schools and neighborhoods caused him to not identify as black or white, but rather an American who represented a new mixed race. Despite his refusal to be bound or classified by race, Toomer is considered one of the most important African American writers to come of the Harlem Renaissance, as his non-stereotypical depiction of African Americans in
Cane (which was inspired by his time teaching at a rural school in Georgia) set a groundbreaking precedent for the honest portrayal of the black experience in America.
George Hutchinson is a Newton C. Farr Professor of American Culture at Cornell University. He is the author of
In Search of Nella Larsen,and
The Harlem Renaissance in Black and White. Most recently he brought to light Anita Thompson Reynolds' memoir,
American Cocktail: A 'Colored Girl' in the World. He also edited
The Cambridge Companion to the Harlem Renaissance.
Zinzi Clemmons was raised in Philadelphia by a South African mother and an American father. Her novel
What We Lose earned her a spot on National Book's 5 Under 35 list in 2015 and was a NBCC John Leonard First Book Prize finalist. Clemmons lives in Los Angeles with her husband, where she teaches at the Colburn Conservatory and Occidental College.
“A breakthrough in prose and poetical writing. . . . This book should be on all readers’ and writers’ desks and in their minds.”—Maya Angelou
First published in 1923, Jean Toomer’s Cane is an innovative literary work—part drama, part poetry, part fiction—powerfully evoking black life in the South. Rich in imagery, Toomer’s impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets. This iconic work of American literature is published with a new afterword by Rudolph Byrd of Emory University and Henry Louis Gates Jr. of Harvard University, who provide groundbreaking biographical information on Toomer, place his writing within the context of American modernism and the Harlem Renaissance, and examine his shifting claims about his own race and his pioneering critique of race as a scientific or biological concept.
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