The German Symphony between Beethoven and Brahms The Fall and Rise of a Genre

  • Engels
  • Paperback
  • 9780367599409
  • juni 2020
  • 330 pagina's
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It was Carl Dahlhaus who coined the phrase 'dead time' to describe the state of the symphony between Schumann and Brahms. Christopher Fifield argues that many of the symphonies dismissed by Dahlhaus made worthy contributions to the genre. He traces the root of the problem further back to Beethoven's ninth symphony, a work which then proceeded to intimidate symphonists who followed in its composer's footsteps, including Schubert, Mendelssohn and Schumann. In 1824 Beethoven set a standard that then had to rise in response to more demanding expectations from both audiences and the musical press. Christopher Fifield, who has a conductor's intimacy with the repertory, looks in turn at the five decades between the mid-1820s and mid-1870s. He deals only with non-programmatic works, leaving the programme symphony to travel its own route to the symphonic poem. Composers who lead to Brahms (himself a reluctant symphonist until the age of 43 in 1876) are frequently dismissed as epigones of Beethoven, Mendelssohn and Schumann but by investigating their symphonies, Fifield reveals their respective brands of originality, even their own possible influence upon Brahms himself and in so doing, shines a light into a half-century of neglected nineteenth century German symphonic music.
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Taal
Engels
Bindwijze
Paperback
Verschijningsdatum
juni 2020
Aantal pagina's
330 pagina's
Illustraties
Nee

Betrokkenen

Auteur
Christopher Fifield
Uitgever
Taylor & Francis Ltd

EAN

EAN
9780367599409

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Subtitel
The Fall and Rise of a Genre

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