From Russia With Love With Dr. No

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  • Engels
  • Paperback
  • 9780141186801
  • 19 november 2010
  • 640 pagina's
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Ian Fleming

Ian Fleming werd geboren op 28 mei 1908 in Londen. Hij bezocht Eton College en na een korte periode op de beroemde Royal Military Academy van Sandhurst trad hij in dienst van het persbureau Reuters. Tijdens de Tweede Wereldoorlog werkte Fleming voor de marine-inlichtingendienst, waar hij van dichtbij kennismaakte met de spionagewereld die hij in zijn James Bond-boeken zou vereeuwigen. Ian Fleming overleed in 1964.

Samenvatting

The arrival of James Bond in Modern Classics at last acknowledges Fleming's remarkable place in British fiction. The creator of an entire genre and the inventor of the most widely recognised figure in British literature since Sherlock Holmes, Fleming has a presence and flair now denied to most other writers of the 1950s. These three novels show Fleming at his peak - it would be hard to argue whether Rosa Klebb , Dr No or Goldfinger have greater grandeur or repulsiveness - with three plots ofderanged implausibility and many of the dazzling set-pieces that made the early films so memorable.

Productspecificaties

Inhoud

Taal
en
Bindwijze
Paperback
Oorspronkelijke releasedatum
19 november 2010
Aantal pagina's
640
Illustraties
Nee

Betrokkenen

Hoofdauteur
Ian Fleming
Hoofduitgeverij
Penguin Books Ltd

Vertaling

Eerste Vertaler
Simon Vance

Overige kenmerken

Extra groot lettertype
Nee
Studieboek
Nee
Verpakking breedte
129 mm
Verpakking hoogte
27 mm
Verpakking lengte
198 mm
Verpakkingsgewicht
435 g

EAN

EAN
9780141186801

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Reviews

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  • Homage to Eric Ambler

    My latest haul from the library included this 1957 title and “The Mask of Dimitrios” (1939) by Eric Ambler. Both books were freshly (2015 ) translated into my mother tongue. Read it as a teenager in cheap paperback form when school libraries banned authors like Ian Fleming and Georges Simenon. As a book, it is not as thrilling as e.g. “Marathon Man” or “Kolymsky Heights”, younger spy thrillers, but still quite good reading matter today against a backdrop of mounting frustration about New Russia.
    James Bond on paper and on screen differ. Writers endow characters with thoughts, the ability to read and far more speech than screenwriters and film directors can visualize. In this book, James Bond is more naive than on screen and he even reads books. On his slow flight from London to Istanbul, later in his hotel, Bond is immersed in “The Mask…”, regarded by experts like Alfred Hitchcock, Graham Greene and John Le Carré as an absolute masterpiece.
    This fifth Bond adventure is a true homage to Eric Ambler and “The Mask…”. The Orient-Express running between Paris and Istanbul plays a role in both books. So is the occasional mention of roses, having titled chapters and exactly the same length. Most of all, the Dimitrios character, a faceless, rootless international criminal, must have inspired Ian Fleming hugely.
    Political correctness was invented long after 1957. Here, Ian Fleming’s good guys are blue-eyed, the bad ones are caricatures with Soviet or Balkan roots, whilst France with its communist labor unions, is another suspect nation… Otherwise, a compelling plot, some excellent, some lesser scenes, and not too many brand names. It has not aged much, except re devices and transport. Everyone except James Bond in his prestigious Chelsea street has this new contraption called a television. Flying in 1957 happened 50% (s)lower than today. And the Orient-Express is history.
    The closing chapters have plenty of loose ends. The finish is a cliff hanger.

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