Graveyard Poetry Religion, Aesthetics and the Mid-Eighteenth-Century Poetic Condition
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Auteur:
Eric Parisot
Parisot
- Engels
- Hardcover
- 9781409434733
- 13 september 2013
- 184 pagina's
Samenvatting
In the first book-length study of this important poetic mode, Parisot suggests that graveyard poetry is closely connected to the mid-eighteenth-century aesthetic revision of poetics. Parisot reads poetry by Robert Blair.
While immensely popular in the eighteenth century, current critical wisdom regards graveyard poetry as a short-lived fad with little lasting merit. In the first book-length study of this important poetic mode, Eric Parisot suggests, to the contrary, that graveyard poetry is closely connected to the mid-century aesthetic revision of poetics. Graveyard poetry's contribution to this paradigm shift, Parisot argues, stems from changing religious practices and their increasing reliance on printed material to facilitate private devotion by way of affective and subjective response. Coupling this perspective with graveyard poetry’s obsessive preoccupation with death and salvation makes visible its importance as an articulation or negotiation between contemporary religious concerns and emerging aesthetics of poetic practice. Parisot reads the poetry of Robert Blair, Edward Young and Thomas Gray, among others, as a series of poetic experiments that attempt to accommodate changing religious and reading practices and translate religious concerns into parallel reconsiderations of poetic authority, agency, death and afterlife. Making use of an impressive body of religious treatises, sermons and verse that ground his study in a precise historical moment, Parisot shows graveyard poetry's strong ties to seventeenth-century devotional texts, and most importantly, its influential role in the development of late eighteenth-century sentimentalism and Romanticism.
While immensely popular in the eighteenth century, current critical wisdom regards graveyard poetry as a short-lived fad with little lasting merit. In the first book-length study of this important poetic mode, Eric Parisot suggests, to the contrary, that graveyard poetry is closely connected to the mid-century aesthetic revision of poetics. Graveyard poetry's contribution to this paradigm shift, Parisot argues, stems from changing religious practices and their increasing reliance on printed material to facilitate private devotion by way of affective and subjective response. Coupling this perspective with graveyard poetry’s obsessive preoccupation with death and salvation makes visible its importance as an articulation or negotiation between contemporary religious concerns and emerging aesthetics of poetic practice. Parisot reads the poetry of Robert Blair, Edward Young and Thomas Gray, among others, as a series of poetic experiments that attempt to accommodate changing religious and reading practices and translate religious concerns into parallel reconsiderations of poetic authority, agency, death and afterlife. Making use of an impressive body of religious treatises, sermons and verse that ground his study in a precise historical moment, Parisot shows graveyard poetry's strong ties to seventeenth-century devotional texts, and most importantly, its influential role in the development of late eighteenth-century sentimentalism and Romanticism.
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Inhoud
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- Bindwijze
- Hardcover
- Oorspronkelijke releasedatum
- 13 september 2013
- Aantal pagina's
- 184
- Illustraties
- Nee
Betrokkenen
- Hoofdauteur
- Eric Parisot
- Tweede Auteur
- Parisot
- Co Auteur
- Professor Jack Lynch
- Hoofduitgeverij
- Ashgate Pub Co
Overige kenmerken
- Extra groot lettertype
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- Product breedte
- 165 mm
- Product hoogte
- 19 mm
- Product lengte
- 235 mm
- Studieboek
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- 165 mm
- Verpakking hoogte
- 19 mm
- Verpakking lengte
- 235 mm
- Verpakkingsgewicht
- 522 g
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- EAN
- 9781409434733
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