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Philippe Garrel

Name: Philippe Garrel
Author: Michael Leonard

Auteur: Michael Leonard

Taal: Engels

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Auteur: Michael Leonard Diana Holmes

Engels
Hardcover
9781784991395
17 januari 2020
256 pagina's

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Samenvatting

Described by Deleuze as ‘one of the greatest modern auteurs’, Philippe Garrel is perhaps the most significant filmmaker to emerge in France after the New Wave. This study offers an overview of his work, exploring its intersections with avant-gardes including the Situationists, Surrealism, Arte Povera and the American Underground.

‘This concise but wide-ranging book not only illuminates the work of one of the most distinctive French directors; it is a much needed introduction to post-New Wave French cinema and the underground film scene after May ’68.’
Dominique Jeannerod, Queen's University Belfast

Described by Giles Deleuze as ‘one of the greatest modern auteurs’, Philippe Garrel is arguably the most significant filmmaker to emerge in France after the New Wave. In a career spanning more than half a century, he has written and directed dozens of films, including L'Enfant Secret (1979), J'entends Plus la Guitare (1991), Sauvage Innocence (2001) and Les Amants Réguliers (2004). His deeply personal cinema traces the troubled sentimental lives of couples while exploring the relationship between art and political struggle in a unique style defined by close-up portraiture and long-durational takes.
Challenging the assumption that Garrel’s work exists in direct continuity with that of Jean-Luc Godard and Francois Truffaut, this book identifies a more radical shift by observing the eclecticism of the influences that the director absorbs and exploits. It interprets his work with reference to contexts beyond French cinema, including avant-garde movements such as the Situationists, Surrealism, Arte Povera and the American underground. Acknowledging Garrel’s role as an unofficial historian of the so-called ‘post-New Wave’, it explores his relationship with other members of this loose film school, including Jean Eustache, Chantal Akerman and Jacques Doillon.

Described by Giles Deleuze as ‘one of the greatest modern auteurs’, Philippe Garrel is widely acknowledged as the most significant filmmaker to emerge in France after the New Wave. His deeply personal cinema traces the troubled sentimental lives of couples, exploring the relationship between art and political struggle. This study observes the eclecticism of the director’s influences, looking to avant-garde movements such as the Situationists, Surrealism, Arte Povera and the American Underground, in order to explore his original body of work. Consideration is also given to Garrel’s relationship with other members of the so-called ‘post-New Wave’, including Jean Eustache and Chantal Akerman. The first book on Garrel’s cinema to appear in English, it will appeal to Garrel enthusiasts as well as to students and lecturers specialising in film studies or French studies.

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Inhoud

Taal: en
Bindwijze: Hardcover
Oorspronkelijke releasedatum: 17 januari 2020
Aantal pagina's: 256
Illustraties: Nee

Betrokkenen

Hoofdauteur: Michael Leonard
Tweede Auteur: Diana Holmes
Hoofduitgeverij: Manchester University Press

Overige kenmerken

Extra groot lettertype: Nee
Product breedte: 129 mm
Product hoogte: 16 mm
Product lengte: 198 mm
Studieboek: Nee
Verpakking breedte: 129 mm
Verpakking hoogte: 16 mm
Verpakking lengte: 198 mm
Verpakkingsgewicht: 381 g

EAN

EAN: 9781784991395

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Categorieën: Kunst & Fotografie

Entertainment

Films & Bioscoop

Filmgeschiedenis

Filmmakers

Filmproductie

Boeken
Taal: Engels
Boek, ebook of luisterboek?: Boek
Beschikbaarheid: Leverbaar
Studieboek of algemeen: Algemene boeken

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