Picturing Imperial Power Colonial Subjects in Eighteenth-Century British Painting
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Auteur:
Beth Fowkes Tobin
Tobin, Beth Fowkes
Co-auteur:
Tobin
- Engels
- Paperback
- 9780822323389
- 26 februari 1999
- 306 pagina's
Samenvatting
A study of colonialism and art that examines the intersection of visual culture and political power in late-eighteenth-century British painting. Focusing on paintings from British America, West Indies, and India, it investigates the role of art in creating and maintaining imperial ideologies and practices - and resisting and complicating them.
This study of colonialism and art examines the intersection of visual culture and political power in late-eighteenth-century British painting. Focusing on paintings from British America, the West Indies, and India, Beth Fowkes Tobin investigates the role of art in creating and maintaining imperial ideologies and practices—as well as in resisting and complicating them.
Informed by the varied perspectives of postcolonial theory, Tobin explores through close readings of colonial artwork the dynamic middle ground in which cultures meet. Linking specific colonial sites with larger patterns of imperial practice and policy, she examines paintings by William Hogarth, Benjamin West, Gilbert Stuart, Arthur William Devis, and Agostino Brunias, among others. These works include portraits of colonial officials, conversation pieces of British families and their servants, portraits of Native Americans and Anglo-Indians, and botanical illustrations produced by Calcutta artists for officials of the British Botanic Gardens. In addition to examining the strategies that colonizers employed to dominate and define their subjects, Tobin uncovers the tactics of negotiation, accommodation, and resistance that make up the colonized’s response to imperial authority. By focusing on the paintings’ cultural and political engagement with imperialism, she accounts for their ideological power and visual effect while arguing for their significance as agents in the colonial project.
Pointing to the complexity, variety, and contradiction within colonial art, Picturing Imperial Power contributes to an understanding of colonialism as a collection of social, economic, political, and epistemological practices that were not monolithic and inevitable, but contradictory and contingent on various historical forces. It will interest students and scholars of colonialism, imperial history, postcolonial history, art history and theory, and cultural studies.
This study of colonialism and art examines the intersection of visual culture and political power in late-eighteenth-century British painting. Focusing on paintings from British America, the West Indies, and India, Beth Fowkes Tobin investigates the role of art in creating and maintaining imperial ideologies and practices—as well as in resisting and complicating them.
Informed by the varied perspectives of postcolonial theory, Tobin explores through close readings of colonial artwork the dynamic middle ground in which cultures meet. Linking specific colonial sites with larger patterns of imperial practice and policy, she examines paintings by William Hogarth, Benjamin West, Gilbert Stuart, Arthur William Devis, and Agostino Brunias, among others. These works include portraits of colonial officials, conversation pieces of British families and their servants, portraits of Native Americans and Anglo-Indians, and botanical illustrations produced by Calcutta artists for officials of the British Botanic Gardens. In addition to examining the strategies that colonizers employed to dominate and define their subjects, Tobin uncovers the tactics of negotiation, accommodation, and resistance that make up the colonized’s response to imperial authority. By focusing on the paintings’ cultural and political engagement with imperialism, she accounts for their ideological power and visual effect while arguing for their significance as agents in the colonial project.
Pointing to the complexity, variety, and contradiction within colonial art, Picturing Imperial Power contributes to an understanding of colonialism as a collection of social, economic, political, and epistemological practices that were not monolithic and inevitable, but contradictory and contingent on various historical forces. It will interest students and scholars of colonialism, imperial history, postcolonial history, art history and theory, and cultural studies.
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- Bindwijze
- Paperback
- Oorspronkelijke releasedatum
- 26 februari 1999
- Aantal pagina's
- 306
- Illustraties
- Nee
Betrokkenen
- Hoofdauteur
- Beth Fowkes Tobin
- Tweede Auteur
- Tobin, Beth Fowkes
- Co Auteur
- Tobin
- Hoofduitgeverij
- Duke University Press
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- Extra groot lettertype
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- Product breedte
- 152 mm
- Product hoogte
- 25 mm
- Product lengte
- 235 mm
- Studieboek
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- 152 mm
- Verpakking hoogte
- 25 mm
- Verpakking lengte
- 235 mm
- Verpakkingsgewicht
- 544 g
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- EAN
- 9780822323389
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