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American History and the Idea of the Cold War
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Oxford University Press
Oxford University Press had its origins in the information technology revolution of the late fifteenth century, which began with the invention of printing from movable type. The first book was printed in Oxford in 1478, only two years after Caxton set up the first printing press in England.
Despite this early start, the printing industry in Oxford developed in a somewhat haphazard fashion over the next century. It consisted of a number of short-lived private businesses, some patronized by the University. But in 1586 the University itself obtained a decree from the Star Chamber confirming its privilege to print books. This was further enhanced in the Great Charter secured by Archbishop Laud from King Charles I, which entitled the University to print 'all manner of books'.
The University established its right to print the King James Authorized Version of the Bible in the seventeenth century. This Bible Privilege formed the basis of a profitable business throughout the next two centuries and was the spur to OUP's expansion. A Bible warehouse was set up in London, which later grew into a major publisher of books with educational or cultural content aimed at the general reader. OUP then began to expand internationally, starting with the opening of an American office in 1896.
Oxford's traditions of religious and academic publication were followed in New York. The first book published by the American office was the Scofield Reference Bible in 1909. After it came The Life of Sir William Osler, which won the Pulitzer Prize in 1926. Six more Pulitzers, several National Book Awards, and over a dozen Bancroft Prizes in American history have followed since.
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Historians have long understood that the notion of "the cold war" is richly metaphorical, if not paradoxical. The conflict between the United States and the Soviet Union was a war that fell ambiguously short of war, an armed truce that produced considerable bloodshed. Yet scholars in the rapidly expanding field of Cold War studies have seldom paused to consider the conceptual and chronological foundations of the idea of the Cold War itself. In Uncertain Empire, a group of leading scholars takes up the challenge of making sense of the idea of the Cold War and its application to the writing of American history. They interrogate the concept from a wide range of disciplinary vantage points--diplomatic history, the history of science, literary criticism, cultural history, and the history of religion--highlighting the diversity of methods and approaches in contemporary Cold War studies. Animating the volume as a whole is a question about the extent to which the Cold War was an American invention. Uncertain Empire brings debates over national, global, and transnational history into focus and offers students of the Cold War a new framework for considering recent developments in the field.
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