Abysses
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Auteur:
Pascal Quignard
Pascal Quignard
- Engels
- Hardcover
- 9780857422446
- 30 juni 2015
- 256 pagina's
Pascal Quignard
Pascal Quignard (1948) studeerde filosofie in Nanterre en aan de universiteit van Vincennes. Zijn eerste publicatie stamt uit 1969, maar pas met Le Salon du Wurtemberg (1986) en Les Escaliers de Chambord (1989) vestigt hij zijn naam als schrijver. Na jarenlang gewerkt te hebben bij uitgeverij Gallimard, besloot hij in 1994 zich geheel aan het schrijven te wijden. In 2002 ontving hij de Prix Goncourt voor zijn boek Ombres errantes.
Samenvatting
Bringing his troubling, questing characters - souls who are fascinated by what preceded and conceived them, the author writes with a rich mix of anecdote and reflection, aphorism and quotation, offering enigmatic glimpses of the present, and confident, pointed borrowings from the past.
Pascal Quignard is an enigmatic author whose writings rove with great poise across the worlds of literary and artistic endeavour, classical and modern, across folk tale, myth and legend, and yet encapsulate moments of intense present experience, evoking with just a word or a phrase the sense of each moment's suffusion by an enormous cosmic past. Quignard's human beings are troubled, questing souls, fascinated always by the mystery of what preceded them and conceived them - in both the broadest and the narrowest possible senses. Abysses is part of Quignard's 'Last Kingdom' series, which the author himself has described as something 'strange'. It consists, he says, 'neither of philosophical argumentation, nor short learned essays, nor novelistic narration', but comes, rather, from a phase of his work in which the very concept of genre has been dropped or, perhaps more accurately, allowed to fall away. The aim is for an overarching form of thinking - 'an entirely modern vision of the world, an entirely secular vision of the world, an entirely abnormal vision of the world.' As in the previous volumes in this series published by Seagull, Roving Shadows and The Silent Crossing, the text is a rich mix of anecdote and reflection, of aphorism and quotation, of enigmatic glimpses of the present and confident, pointed borrowings from the past - particularly the European classical past in which the author is so much at home. But when Quignard raids the murkier corners of the human record, he does so not as a historian but as an antiquarian. He is not someone interested in the world for its prim and proper historical narratives (after all, as he points out, 'In the USSR, for example, in the middle of last century, the past was completely unpredictable. For fifty years what had happened in the past changed from one day to the next.'). He is in pursuit, rather, of those stories which repeat and echo across time, stories which, if not literally timeless, dance to a rhythm that we do not ordinarily contemplate, a rhythm that channels a force which seems at times to exceed our everyday conceptions of the transcendent by many orders of magnitude.
Pascal Quignard is an enigmatic author whose writings rove with great poise across the worlds of literary and artistic endeavour, classical and modern, across folk tale, myth and legend, and yet encapsulate moments of intense present experience, evoking with just a word or a phrase the sense of each moment's suffusion by an enormous cosmic past. Quignard's human beings are troubled, questing souls, fascinated always by the mystery of what preceded them and conceived them - in both the broadest and the narrowest possible senses. Abysses is part of Quignard's 'Last Kingdom' series, which the author himself has described as something 'strange'. It consists, he says, 'neither of philosophical argumentation, nor short learned essays, nor novelistic narration', but comes, rather, from a phase of his work in which the very concept of genre has been dropped or, perhaps more accurately, allowed to fall away. The aim is for an overarching form of thinking - 'an entirely modern vision of the world, an entirely secular vision of the world, an entirely abnormal vision of the world.' As in the previous volumes in this series published by Seagull, Roving Shadows and The Silent Crossing, the text is a rich mix of anecdote and reflection, of aphorism and quotation, of enigmatic glimpses of the present and confident, pointed borrowings from the past - particularly the European classical past in which the author is so much at home. But when Quignard raids the murkier corners of the human record, he does so not as a historian but as an antiquarian. He is not someone interested in the world for its prim and proper historical narratives (after all, as he points out, 'In the USSR, for example, in the middle of last century, the past was completely unpredictable. For fifty years what had happened in the past changed from one day to the next.'). He is in pursuit, rather, of those stories which repeat and echo across time, stories which, if not literally timeless, dance to a rhythm that we do not ordinarily contemplate, a rhythm that channels a force which seems at times to exceed our everyday conceptions of the transcendent by many orders of magnitude.
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Inhoud
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- Bindwijze
- Hardcover
- Oorspronkelijke releasedatum
- 30 juni 2015
- Aantal pagina's
- 256
- Illustraties
- Nee
Betrokkenen
- Hoofdauteur
- Pascal Quignard
- Tweede Auteur
- Pascal Quignard
- Hoofduitgeverij
- Seagull Books London Ltd
Vertaling
- Eerste Vertaler
- Chris Turner
Overige kenmerken
- Extra groot lettertype
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- Product breedte
- 140 mm
- Product hoogte
- 25 mm
- Product lengte
- 216 mm
- Studieboek
- Ja
- Verpakking breedte
- 13 mm
- Verpakking hoogte
- 25 mm
- Verpakking lengte
- 21 mm
- Verpakkingsgewicht
- 397 g
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- EAN
- 9780857422446
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