Studies in Musical Genesis, Structure & Interpretation- Vaughan Williams's Ninth Symphony
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Uitgever: Oxford University Press
Auteur:
Alain Frogley
- Engels
- Hardcover
- 9780198162841
- 02 augustus 2001
- 340 pagina's
Samenvatting
This study, the first of its kind on a work of Vaughan Williams, traces the genesis of the composer's enigmatic final symphony as documented in the surviving manuscripts. The latter reveal an underlying programme based on Hardy's Tess of the D'Urbervilles, and chart the composer's struggle to find the technical means by which to realize his most complex spiritual vision.
Ever since its première just before the composer's death, Vaughan Williams's Ninth Symphony has divided critical opinion and remained something of an enigma. Yet the composer thought highly of the work, and went against his usual practice by preserving all the sketches. This study, the first of its kind on a work of Vaughan Williams, analyses the symphony and traces its genesis through hundreds of pages of sketches and drafts; it also offers a general introduction to the composer's working methods. The manuscripts show how the composer worked meticulously to create the complex expressive ambivalence of the finished work, transforming in the process simpler conceptions redolent of his earlier music. Most crucially, however, the sketches reveal an underlying programme, centred on the theme of innocent sacrifice and drawing on Hardy's Tess of the D'Urbervilles, Stonehenge, and Salisbury Cathedral. Vaughan Williams's new musical path in the symphony, it emerges, was closely allied to the continuing evolution of his visionary agnosticism.
Ever since its première just before the composer's death, Vaughan Williams's Ninth Symphony has divided critical opinion and remained something of an enigma. Yet the composer thought highly of the work, and went against his usual practice by preserving all the sketches. This study, the first of its kind on a work of Vaughan Williams, analyses the symphony and traces its genesis through hundreds of pages of sketches and drafts; it also offers a general introduction to the composer's working methods. The manuscripts show how the composer worked meticulously to create the complex expressive ambivalence of the finished work, transforming in the process simpler conceptions redolent of his earlier music. Most crucially, however, the sketches reveal an underlying programme, centred on the theme of innocent sacrifice and drawing on Hardy's Tess of the D'Urbervilles, Stonehenge, and Salisbury Cathedral. Vaughan Williams's new musical path in the symphony, it emerges, was closely allied to the continuing evolution of his visionary agnosticism.
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- Hardcover
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- 02 augustus 2001
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- 340
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- Alain Frogley
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- Oxford University Press
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- 162 mm
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- 242 mm
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- 162 mm
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- 23 mm
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- 9780198162841
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