Charlotte Perkins Gilman (1860-1935) was born in New England, a descendant of the prominent and influential Beecher family. In 1884 she married Charles Water Stetson. After giving birth, Charlotte sank into a deep depression. She entered a sanitarium in Philadelphia to undergo the 'rest cure', a controversial treatment, which forbade any type of physical activity or intellectual stimulation. 1892, she published the now-famous story 'The Yellow Wall-Paper'. In 1898, her most famous nonfiction book,
Women and Economics, was published. With its publication, and subsequent translation into seven languages, Gilman earned international acclaim. In 1900, she married her first cousin, George Houghton Gilman. Over the next thirty-five years, she wrote and published hundreds of stories and poems and more than a dozen books.
The Yellow Wallpaper, Charlotte Perkins Gilman’s famous short story on mental health, is brought together with her feminist utopian novel Herland in this giftable hardback introduced by Lucy Mangan.
Charlotte Perkins Gilman’s progressive views on feminism and mental health are powerfully showcased in her two most famous stories. The Yellow Wallpaperskillfully charts one woman's struggle with depression whilst Herland is an entertaining imagining of an all female utopia.
Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by journalist and author Lucy Mangan.
Confined to her attic bedroom and isolated from her newborn baby, the nameless narrator of The Yellow Wallpaper keeps a secret diary in which she records the sprawling and shifting patterns of the room’s lurid yellow wallpaper as she slowly sinks into madness. This chilling story is based on the author’s own experience of depression. In Herland, a trio of men set out to discover an all-female community rumoured to be hidden deep in the jungle. What they find surprises them all; they’re captured by women who, for two thousand years, have lived in a peaceful and prosperous utopia without men.
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Uiterlijk 11 juni in huis
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