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A Story of Glitter, Glam Rock, and Loving Lou Reed
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Simon Doonan
Simon Doonan is the creative ambassador for Barneys New York and the author of several books, including
Gay Men Don’t Get Fat,
Wacky Chicks, and
Beautiful People (published in the U.S. as
Nasty), which became a BBC TV series. Originally from England, he worked on Savile Row, at Maxfield in Los Angeles, and with Diana Vreeland at The Costume Institute of The Metropolitan Museum of Art before becoming the creative director of Barneys New York, where he designed legendary window displays for more than twenty years. In 2009, he designed the holiday decorations for the Obama’s first White House Christmas. Formerly a columnist for
The New York Observer, he is now a contributor to Slate.com, and has appeared on
Gossip Girl,
Iron Chef America,
America’s Next Top Model, and elsewhere. Doonan lives in New York with his husband, Jonathan Adler.
Simon Doonan’s memoir pays homage to Lou Reed’s groundbreaking glam rock album Transformer, recalling its influence on his coming of age and coming out.
In November 1972, Lou Reed released Transformer because it was “dreary for gay people to have to listen to straight people’s love songs.” That same year, Sweden was the first country to legalize gender-affirming surgery, and San Francisco struck down employment discrimination based on sexual orientation.
Sometimes an artistic creation perfectly aligns with a broader social and political history, and Transformer—with the songs “Walk on the Wild Side,” “Perfect Day,” and “Vicious”—perfectly captured its time. “Walk on the Wild Side” was banned on radio but became a massive hit when young people threatened to boycott stations that would not play it. The album’s cover depcited Lou in high-contrast, flaunting a new mascara’d glam rock incarnation, shot by legend Mick Rock, underscoring his intention to create “a gay album.”
This is the story of how Lou Reed came to make Transformer with the help of David Bowie, placing its creation within the course of Reed’s life. Offering first-hand testimony of the album’s impact on the LGBTQ+ community, Simon Doonan shares how it transformed his own life as a 20-year-old working class kid from Reading, England, who had just discovered the joys of London Glam Rock and was sparked by the artistic freedom of Warhol’s The Factory. Transformer was a revelation—hearing Reed’s songs, Doonan understood how the world was changing for him and his friends.
A poignant, personal addition to modern music and LGBTQ+ history, Transformer captures a pivotal moment when those long silenced were finally given a voice.
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