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John Irving
John Irving was born in Exeter, New Hampshire, on March 3, 1942, and he once admitted that he was a 'grim' child. Although he excelled in English at school and knew by the time he graduated that he wanted to write novels, it was not until he met a young Southern novelist named John Yount, at the University of New Hampshire, that he received encouragement.
In 1963, Irving enrolled at the Institute of European Studies in Vienna, and he later worked as a university lecturer. His first novel, Setting Free the Bears, about a plot to release all the animals from the Vienna Zoo, was followed by The Water-Method Man, a comic tale of a man with a urinary complaint, and The 158-Pound Marriage, which exposes the complications of spouse-swapping. Irving achieved international recognition with The World According to Garp, which he hoped would 'cause a few smiles among the tough-minded and break a few softer hearts'.
The Hotel New Hampshire is a startlingly original family saga, and The Cider House Rules is the story of Doctor Wilbur Larch - saint, obstetrician, founder of an orphanage, ether addict and abortionist - and of his favourite orphan, Homer Wells, who is never adopted. A Prayer for Owen Meany features the most unforgettable character Irving has yet created. A Son of the Circus is an extraordinary evocation of modern day India.
A collection of John Irving's shorter writing, Trying to Save Piggy Sneed, was published in 1993. Irving has also written the screenplays for The Cider House Rules and A Son of the Circus, and wrote about his experiences in the world of movies in his memoir My Movie Business.
John Irving is een auteur van De Bezige Bij Op bol.com vind je alle boeken van John Irving, waaronder het nieuwste boek van John Irving."
Samenvatting
Mozart's piano concertos stand alongside his operas and symphonies as his most frequently performed and best loved music. They have attracted the attention of generations of musicologists who have explored their manifold meanings from a variety of viewpoints. In this study, John Irving brings together the various strands of scholarship surrounding Mozart's concertos including analytical approaches, aspects of performance practice and issues of compositional genesis based on investigation of manuscript and early printed editions. Treating the concertos collectively as a repertoire, rather than as individual works, the first section of the book tackles broad thematic issues such as the role of the piano concerto in Mozart's quasi-freelance life in late eighteenth-century Vienna, the origin of his concertos in earlier traditions of concerto writing; eighteenth-century theoretical frameworks for the understanding of movement forms, subsequent historical shifts in the perception of the concerto's form, listening strategies and performance practices. This is followed by a 'documentary register' which proceeds through all 23 original works, drawing together information on the source materials. Accounts of the concertos' compositional genesis, early performance history and reception are also included here, drawing extensively on the Mozart family correspondence and other contemporary reports. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire.
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- 05 juli 2017
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- John Irving
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- 9781351557887
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