The Color of Jazz Race and Representation in Postwar American Culture

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  • Engels
  • Paperback
  • 9781578060337
  • 30 oktober 1997
  • 277 pagina's
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This penetrating study of America's attitudes toward jazz focuses on a momentous period in postwar history - from the end of World War II to the beginning of the Black Power Movement. Exploring the diverse representations of jazz, it connects this uneven reception, and skewed use of jazz with the era's debates about race and racial difference.



Although now sometimes called ""America's classical music,"" jazz has not always been accorde favorable appellations. Accurate though these encomiums may be, they obscure the complex and fractious history of jazz's reception in the U. S. Developing out of the African American cultural tradition, jazz has always been variously understood by black and white audiences.

This penetrating study of America's attitudes toward jazz focuses on a momentous period in postwar history -- from the end of World War II to the beginning of the Black Power Movement. Exploring the diverse representations of jazz and jazz musicians in literature and popular culture, it connects this uneven reception, and skewed use of jazz with the era's debates about race and racial difference. Its close scrutiny of literature, music criticism, film, and television reveals fundamental contrasts between black and white cultures as they regard jazz. To the detriment of concepts of community and history, white writers focus on the individualism that they perceive in jazz. Black writers emphasize the aspects of musicianship, performance, and improvisation. White approaches to jazz tend to be individualistic and ahistorical, and their depictions of musicians accent the artist's suffering and victimization. Black texts treating similar subject matter stress history, communitarianism, and socio-personal experience. This study shows as well how black and white dissenters such as the Beats and various African-American writers have challenged the mainstreams's definition of this African-American resource. It explores such topics as racial politics in bohemian Greenwich Village, the struggle of the image of Charlie Parker, the cultural construction of jazz performance, and literature imitation of jazz improvisation.

As a cultural history with relevance for contemporary discussions of race and representation, The Color of Jazz offers an innovative and compelling perspective on diverse, well-known cultural materials. Jon Panish is a lecturer at the University of California, Irvine.

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Inhoud

Taal
en
Bindwijze
Paperback
Oorspronkelijke releasedatum
30 oktober 1997
Aantal pagina's
277
Illustraties
Nee

Betrokkenen

Hoofdauteur
Jon Panish

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Extra groot lettertype
Nee
Product breedte
152 mm
Product lengte
229 mm
Studieboek
Nee
Verpakking breedte
152 mm
Verpakking hoogte
229 mm
Verpakking lengte
229 mm
Verpakkingsgewicht
318 g

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EAN
9781578060337

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