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Michael Newton
Michael Newton was both an undergraduate and postgraduate at University College London. He is the author of
Savage Girls and Wild Boys: A History of Feral Children (Faber & Faber, 2002) and of a book on Kind Hearts and Coronets for the British Film Institute's Film Classics series (2003). He has also edited Edmund Gosse's
Father and Son for Oxford World's Classics and Joseph Conrad's
The Secret Agent for Penguin. He has taught at UCL, Central Saint Martins College of Art and Design, and Princeton University, and currently works at the University of Leiden. At present he is completing a book on the history of assassination and political violence.
Rosemary's Baby is one of the greatest movies of the late 1960s and one of the best of all horror movies, an outstanding modern Gothic tale. An art-house fable and an elegant popular entertainment, it finds its home on the cusp between a cinema of sentiment and one of sensation. Michael Newton's study of the film traces its development at a time when Hollywood stood poised between the old world and the new, its dominance threatened by the rise of TV and cultural change, and the roles played variously by super producer Robert Evans, the film's producer William Castle, director Polanski and its stars including Mia Farrow and John Cassavetes.
Newton's close textual analysis explores the film's meanings and resonances, and, looking beyond the film itself, he examines its reception and cultural impact, and its afterlife, in which Rosemary's Baby has become linked with the terrible murder of Polanski's wife and unborn child by members of the Manson cult, and with controversies surrounding the director.
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