Classical and Romantic Performing Practice 1750-1900
Afbeeldingen
Sla de afbeeldingen overArtikel vergelijken
Auteur:
Clive Brown
- Engels
- Hardcover
- 9780198161653
- 25 november 1999
- 676 pagina's
Samenvatting
This is a useful title for all performers and students of Classical and Romantic music. Problems of performing practice did not disappear with the death of Handel. This book examines the changing relationship, during the period 1750-1900, between what composers committed to paper and what performers were expected to play.
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Clive Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music was more radically different from ours than is generally assumed. This is an essential book for all performers and students of Classical and Romantic music.
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Clive Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music was more radically different from ours than is generally assumed. This is an essential book for all performers and students of Classical and Romantic music.
Productspecificaties
Wij vonden geen specificaties voor jouw zoekopdracht '{SEARCH}'.
Inhoud
- Taal
- en
- Bindwijze
- Hardcover
- Oorspronkelijke releasedatum
- 25 november 1999
- Aantal pagina's
- 676
- Illustraties
- Nee
Betrokkenen
- Hoofdauteur
- Clive Brown
- Hoofduitgeverij
- Clarendon Press
Overige kenmerken
- Editie
- illustrated edition
- Extra groot lettertype
- Nee
- Product breedte
- 162 mm
- Product hoogte
- 41 mm
- Product lengte
- 241 mm
- Studieboek
- Nee
- Verpakking breedte
- 162 mm
- Verpakking hoogte
- 41 mm
- Verpakking lengte
- 241 mm
- Verpakkingsgewicht
- 1 g
EAN
- EAN
- 9780198161653
Je vindt dit artikel in
- Categorieën
- Taal
- Engels
- Studieboek of algemeen
- Algemene boeken
- Boek, ebook of luisterboek?
- Boek
- Stroming of stijl
- Romantiek, Classicisme
Kies gewenste uitvoering
Kies je bindwijze
(2)
Prijsinformatie en bestellen
Anderen bekeken ook
Rapporteer dit artikel
Je wilt melding doen van illegale inhoud over dit artikel:
- Ik wil melding doen als klant
- Ik wil melding doen als autoriteit of trusted flagger
- Ik wil melding doen als partner
- Ik wil melding doen als merkhouder
Geen klant, autoriteit, trusted flagger, merkhouder of partner? Gebruik dan onderstaande link om melding te doen.