Doris Salcedo - The Materiality of Mourning The Materiality of Mourning
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- Engels
- Hardcover
- 9780300222517
- 03 november 2016
- 200 pagina's
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A compelling look at Doris Salcedo's works from the past fifteen years, exploring how the artist challenges not only the limits of the materials she uses but also the traditions of sculpture itself
A compelling look at Doris Salcedo’s works from the past fifteen years, exploring how the artist challenges not only the limits of the materials she uses but also the traditions of sculpture itself
Colombian sculptor and installation artist Doris Salcedo (b. 1958) creates works that address political violence and oppression. This pioneering book, which focuses on Salcedo’s works from 2001 to the present, examines the development and evolution of her approach. These sculptures have pushed toward new extremes, incorporating organic materials—rose petals, grass, soil—in order to blur the line between the permanent and the ephemeral.
This insightful text illuminates the artist’s practice: exhaustive personal interviews and deep research joined with painstaking acts of making that both challenge limits and set new directions in materiality. Mary Schneider Enriquez convincingly argues for viewing Salcedo’s oeuvre not just through a particular theoretical lens, such as violence studies or trauma and memory studies, but for the profound way the artist engages with and expands the traditions of sculpture as a medium.
Distributed for the Harvard Art Museums
A compelling look at Doris Salcedo’s works from the past fifteen years, exploring how the artist challenges not only the limits of the materials she uses but also the traditions of sculpture itself
Colombian sculptor and installation artist Doris Salcedo (b. 1958) creates works that address political violence and oppression. This pioneering book, which focuses on Salcedo’s works from 2001 to the present, examines the development and evolution of her approach. These sculptures have pushed toward new extremes, incorporating organic materials—rose petals, grass, soil—in order to blur the line between the permanent and the ephemeral.
This insightful text illuminates the artist’s practice: exhaustive personal interviews and deep research joined with painstaking acts of making that both challenge limits and set new directions in materiality. Mary Schneider Enriquez convincingly argues for viewing Salcedo’s oeuvre not just through a particular theoretical lens, such as violence studies or trauma and memory studies, but for the profound way the artist engages with and expands the traditions of sculpture as a medium.
Distributed for the Harvard Art Museums
Exhibition Schedule:
Harvard Art Museums
(11/04/16–04/09/17)
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Inhoud
- Taal
- en
- Bindwijze
- Hardcover
- Oorspronkelijke releasedatum
- 03 november 2016
- Aantal pagina's
- 200
- Illustraties
- Nee
Betrokkenen
- Hoofdauteur
- Mary Schneider Enriquez
- Tweede Auteur
- Mary Schneider Enriquez
- Hoofduitgeverij
- Harvard University Art Museums,U.S.
Overige kenmerken
- Extra groot lettertype
- Nee
- Product breedte
- 203 mm
- Product hoogte
- 15 mm
- Product lengte
- 305 mm
- Studieboek
- Nee
- Verpakking breedte
- 229 mm
- Verpakking hoogte
- 267 mm
- Verpakking lengte
- 267 mm
- Verpakkingsgewicht
- 666 g
EAN
- EAN
- 9780300222517
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- Engels
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- ca. 1950-1999
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