Early works of American feminist literature 1 - The Yellow Wallpaper by Charlotte Perkins Gilman Ebook Tooltip An early work of American feminist literature

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  • Engels
  • E-book
  • 9782322157495
  • 15 mei 2017
  • Adobe ePub
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Charlotte Perkins Gilman

Charlotte Perkins Gilman (1860-1935) was born in New England, a descendant of the prominent and influential Beecher family. In 1884 she married Charles Water Stetson. After giving birth, Charlotte sank into a deep depression. She entered a sanitarium in Philadelphia to undergo the 'rest cure', a controversial treatment, which forbade any type of physical activity or intellectual stimulation. 1892, she published the now-famous story 'The Yellow Wall-Paper'. In 1898, her most famous nonfiction book, Women and Economics, was published. With its publication, and subsequent translation into seven languages, Gilman earned international acclaim. In 1900, she married her first cousin, George Houghton Gilman. Over the next thirty-five years, she wrote and published hundreds of stories and poems and more than a dozen books.

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The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health. The story is written in the first person as a series of journal entries. The narrator is a woman whose husband - a physician - has confined her to the upstairs bedroom of a house he has rented for the summer. She is forbidden from working and has to hide her journal entries from him so that she can recuperate from what he has diagnosed as a "temporary nervous depression - a slight hysterical tendency;" a diagnosis common to women in that period. The windows of the room are barred, and there is a gate across the top of the stairs, allowing her husband to control her access to the rest of the house. The story illustrates the effect of confinement on the narrator's mental health, and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the room's wallpaper.

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