Film Noir
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Auteur:
Andrew Spicer
Spicer
- Engels
- Paperback
- 9780582437128
- 31 mei 2002
- 250 pagina's
Samenvatting
An overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context.
Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to `classic’ film noir (1940-59):
Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to `classic’ film noir (1940-59):
- chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes
- chapters on character types and star performances elucidate noir’s complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang
- chapters trace the complex evolution of `neo-noir’ in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento
- the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges’ Croupier
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- Oorspronkelijke releasedatum
- 31 mei 2002
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- 250
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- Hoofdauteur
- Andrew Spicer
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- Taylor & Francis
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- FILM.Spicer:Film Noir_p
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- 9780582437128
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