Music, Theater, and Cultural Transfer - Paris, 1830-1914 Paris, 1830-1914
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Auteur:
Fauser
- Engels
- Hardcover
- 9780226239262
- 01 december 2009
- 440 pagina's
Samenvatting
Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the 'capital of the nineteenth century'. This book explores the institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia.
Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the 'capital of the nineteenth century'. The fullest account available of this artistic ferment and its international impact, "Music, Theater, and Cultural Transfer" explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city's musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.
Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the 'capital of the nineteenth century'. The fullest account available of this artistic ferment and its international impact, "Music, Theater, and Cultural Transfer" explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city's musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.
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- en
- Bindwijze
- Hardcover
- Oorspronkelijke releasedatum
- 01 december 2009
- Aantal pagina's
- 440
- Illustraties
- Nee
Betrokkenen
- Hoofdauteur
- Fauser
- Hoofdredacteur
- Annegret Fauser
- Tweede Redacteur
- Mark Everist
- Hoofduitgeverij
- University Of Chicago Press
Overige kenmerken
- Editie
- 1
- Extra groot lettertype
- Nee
- Product breedte
- 18 mm
- Product hoogte
- 3 mm
- Product lengte
- 26 mm
- Studieboek
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- Verpakking breedte
- 184 mm
- Verpakking hoogte
- 25 mm
- Verpakking lengte
- 254 mm
- Verpakkingsgewicht
- 975 g
EAN
- EAN
- 9780226239262
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- Beschikbaarheid
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- Taal
- Engels
- Periode
- ca. 1800-1910
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: Hardcover
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