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Alexander Pope
Alexander Pope
- Engels
- Paperback
- 9781517520526
- 26 september 2015
- 34 pagina's
Alexander Pope
Alexander Pope was born in 1688 in London, England. His father, a linen merchant, moved his family to Binfield in Windsor Forest after the Glorious Revolution of 1688, where Pope received little schooling, educating himself largely through reading. At the age of twelve, Pope contracted a tubercular infection, never growing taller than four feet, six inches, and suffered from curvature of the spine and constant headaches. He came to public notice on the publication of “Pastorals” in Jacob Tonson’s
Miscellany (1709),
Essay on Criticism (1711), and gained much notoriety and acclaim for
The Rape of the Lock (1712). By 1713, Pope had befriended Jonathan Swift, John Gay, Thomas Parnell, and Dr. John Arbuthnot, and together they formed the “Scriblerus Club” which indirectly contributed to such works as Swift’s
Gulliver’s Travels and Pope’s own
Dunciad (1728), as well as the
Memoirs of Martinus Scriblerus (1741). Pope’s translation of the
Iliad (1715-1720) and the
Odyssey (1725-1726) earned him financial success, as well as critical praise. Working jointly with Swift, they published
Miscellanies (1727-1732), an obvious parody of writers, which was ill received. Pope answered again with a personal satire, the famous
Dunciad. He attempted a survey of human nature, completing
Essay on Man (1733), and
Mortal Essays both reminiscent of the satire for which Pope had become so famous.
Imitations of Horace (1733-1738) a parody of the contemporary social and political scene, and his “pirated” letters, which he had devised to be published, would be his last works. Pope died in 1744 and was buried in Twickenham Church. He left the epic verse
Brutus incomplete.
Samenvatting
Alexander Pope was an 18th-century English poet. He is best known for his satirical verse, as well as for his translation of Homer. Famous for his use of the heroic couplet, he is the second-most frequently quoted writer in The Oxford Dictionary of Quotations, after Shakespeare. By the mid-18th century new fashions in poetry emerged. A decade after Pope’s death, Joseph Warton claimed that Pope’s style of poetry was not the most excellent form of the art. The Romantic movement that rose to prominence in early 19th-century England was more ambivalent towards his work. Though Lord Byron identified Pope as one of his chief influences (believing his scathing satire of contemporary English literature English Bards and Scotch Reviewers to be a continuance of Pope’s tradition), William Wordsworth found Pope’s style fundamentally too decadent a representation of the human condition. George Gilfillan in his study of 1856 described Pope’s talent as ‘a rose peering into the summer air, fine, rather than powerful, In the 20th century Pope’s reputation was revived. Pope’s work was found to be full of references to the people and places of his time, and these aided people’s understanding of the past. The postwar period stressed the power of Pope’s poetry, recognising that Pope’s immersion in Christian and Biblical culture lent depth to his poetry. Maynard Mack thought highly of Pope’s poetry, arguing that Pope’s moral vision demanded as much respect as his technical excellence. In the years 1953–1967 the production of the definitive Twickenham edition of Pope’s poems was published in ten volumes.
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