Titus Petronius Arbiter is reputedly the author of the
Satyricon. According to Tacitus, Petronius' chief talent lay in the pursuit of pleasures, in which he displayed such exquisite refinement that he earned the unofficial title of the emperor Nero's 'arbiter of elegance' (
arbiter elegantiae). Court rivalry and jealousy contrived to cast on Petronius the suspicion that he was conspiring against the emperor, and he was ordered to commit suicide in A.D. 66. He gradually bled to death, opening his veins, binding and re-opening them, passing his last hours in social amusement and the composition of a catalogue of Nero's debaucheries.
The Satyrica, traditionally attributed to the Neronian courtier Petronius, is a comic-picaresque fiction recalling the narrator’s adventures in the early imperial demimonde, including Trimalchio’s banquet. Apocolocyntosis ( Pumpkinification) is a satirical pamphlet lampooning the death and deification of the emperor Claudius.
Two rollicking Roman satires.
The Satyrica (Satyricon liber), a comic-picaresque fiction in prose and verse traditionally attributed to the Neronian Petronius (d. AD 66) but possibly of Flavian or Trajanic date, survives only as fragments of a much larger whole. It takes the form of a first-person narrative by the endearing ne’er-do-well Encolpius, a brilliant storyteller, parodist, and mimic who recalls episodes from his past life as a wandering bohemian, living by his wits on the margins of society in Greek southern Italy and encountering a vividly realized array of characters from the early imperial demimonde, including the wealthy freedman Trimalchio, one of the most unforgettable characters in all of Latin literature.
Paired with the Satyrica, and likewise in prose and verse, is the Apocolocyntosis (Pumpkinification), a short satirical pamphlet lampooning the death, apotheosis, and attempt to enter heaven of the emperor Claudius (reigned 41–54). If the work of Lucius Annaeus Seneca (4 BC–AD 65), better known for his austere Stoic moralism, its sarcastic wit and rollicking humor were no doubt inspired by bitterness over his exile at Claudius’ hands in 41–49.
For this Loeb edition the Latin texts have been freshly edited and translated, with ample introductions and explanatory notes.
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