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The world Tim Winton paints in Scission is often harsh and disturbing, inhabited by isolated, unforgiving characters. It is a world at once familiar, filled with the trappings of home and family, and yet also strangely twisted – a world where casual brutality and unexpected death are never far from the surface. Evident in a young girl’s violent temper once the eggs she has so jealously guarded finally hatch, or in the careless indifference of the woman stepping over a soldier’s spreadeagled body, Tim Winton’s world is a place where dysfunction and disorder constantly threaten the equilibrium. But there is compassion and beauty there too – whether it’s in the brush of a father’s hand against his young son’s cheek, or the neighbours who wait patiently to celebrate the arrival of a new baby.