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She was a tidy fresh old woman, with cheeks of a russet colour, half brown half red, yet soft, despite all their wrinkles—cheeks that children laid their little faces up to without feeling any difference of texture; and eyes which had stolen back during these years deeper into their sockets, but yet were bright and full of suppressed sunshine. She had a little shawl pinned over her print gown, and a great white apron, which shone in the sun, and made the chief light in the little picture. Simon’s rugged countenance looking at her was all brown, with a deep dusky red on the tops of the cheekbones; his face was as full of cross-hatching as if he had been an old print. His eyes were deeper than were hers, but still at the bottom of the wrinkled caves they abode in had a spark of light in each of them. In short, there was sufficient resemblance between them still to show that Simon and Sarah were brother and sister. A young woman of four and twenty came to the door of the next cottage at the sound of his voice, and opening it, went in again, as if her duty was done. She was Simon’s daughter and housekeeper, who was not fond of gossip, and the two kindred households were next door to each other. It was a very pretty village, much encouraged to keep itself tidy, and to cultivate flowers, and do everything that is proper in its condition of life, by the young lady at the Hall. The houses had been improved, but in an unobtrusive way. They were not painfully white-washed, but showed here and there a gleam of red brick in a thin place. The roses and the honeysuckles were not always neatly trained, and there was even an old shawl thrust into a broken pane in the window of Sally Timms, who was so much trouble to Miss Arden with her untidy ways. Old Simon had nothing but wallflower and southernwood (which was called lad’s love in that region), and red and white daisies in his garden. But next door, if you came at the proper season, you might see picottees that were exhibited at the Holmfirth flower show, and floury auriculas, such as were the height of the fashion in the floral world a good many years ago. In short there was just that mixture of perfection and imperfection which kept the village of Arden a natural spontaneous village, instead of an artificial piece of luxury, cultivated like any other ornament, in consequence of the very close vicinity of the Hall gates.