The Age of Irreverence A New History of Laughter in China

Tells the story of why China's entry into the modern age was not just traumatic, but uproarious. The author argues that this period from the 1890s to the 1930s transformed how Chinese people thought and talked about what is funny.

"I am confident that it is the finest in its field to include a lyric by me."—Eric Idle

"Academic books do not always reflect their subject matter. Studies of sex, for example, are notoriously unsexy. But Mr. Rea’s book is funny, beginning with its hilarious “executive preface.""—Ian Johnson, The New York Times

"China’s tumultuous and painful history during the last two hundred years has led many of its writers to focus on heavy questions like 'What went wrong?,' 'Whose fault was it?,' and 'What can we do now?' Scholarship, both Chinese and Western, has generally followed this emphasis. Now The Age of Irreverence shows, in marvelous variety and detail, how laughter and raillery—not separate from the pain but complexly involved with it—infused the cultural scene as well."—Perry Link, author of Anatomy of Chinese: Rhythm, Metaphor, Politics

"Rea's study is beautifully written and meticulously researched. At a time when western interest in and access to Chinese 'cultural products' have never been greater, books like this are essential for challenging entrenched stereotypes and fostering greater appreciation of the country."—Jonathan Sullivan, Comedy Studies

The Age of Irreverence tells the story of why China's entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called histories of laughter." In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this period from the 1890s to the 1930s transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter jokes, play, mockery, farce, and humor he reveals the textures of comedy that were a part of everyday life during modern China's first age of irreverence." This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture.