The Early Stuart Masque Dance, Costume, and Music
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Uitgever: Oxford University Press
Auteur:
Barbara Ravelhofer
B. Ravelhofer
- Engels
- Paperback
- 9780199559251
- 22 januari 2009
- 334 pagina's
Samenvatting
The Early Stuart Masque studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance.
The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.
The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.
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- Bindwijze
- Paperback
- Oorspronkelijke releasedatum
- 22 januari 2009
- Aantal pagina's
- 334
- Illustraties
- Nee
Betrokkenen
- Hoofdauteur
- Barbara Ravelhofer
- Tweede Auteur
- B. Ravelhofer
- Hoofduitgeverij
- Oxford University Press
Vertaling
- Originele titel
- The Early Stuart Masque: Dance, Costume, and Music
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- Extra groot lettertype
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- Product breedte
- 152 mm
- Product hoogte
- 19 mm
- Product lengte
- 229 mm
- Studieboek
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- Verpakking breedte
- 156 mm
- Verpakking hoogte
- 19 mm
- Verpakking lengte
- 234 mm
- Verpakkingsgewicht
- 590 g
EAN
- EAN
- 9780199559251
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- Periode
- ca. 1500-1800
- Beschikbaarheid
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- Taal
- Engels
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