The Italian List- Studiolo
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Auteur:
Giorgio Agamben
- Engels
- Paperback
- 9781803093680
- 23 april 2024
- 130 pagina's
Giorgio Agamben
"Giorgio Agamben (1942) is de meest invloedrijke hedendaagse Italiaanse filosoof. Hij schreef een breed oeuvre dat wereldwijd is vertaald. In het Nederlands verscheen eerder van zijn hand Homo Sacer. Op bol.com vind je alle boeken van Giorgio Agamben, waaronder het nieuwste boek van Giorgio Agamben.
(Foto: Wikipedia. Beschikbaar onder de licentie Creative Commons Naamsvermelding/Gelijk delen.)"
(Foto: Wikipedia. Beschikbaar onder de licentie Creative Commons Naamsvermelding/Gelijk delen.)"
Samenvatting
A brief study of select Western art from Italy’s foremost philosopher.
In Renaissance palaces, the studiolo was a small room to which the prince withdrew to meditate or read, surrounded by paintings he particularly loved. This book is a kind of studiolo for its author, Giorgio Agamben, as he turns his philosophical lens on the world of Western art.
Studiolo is a fascinating take on a selection of artworks created over millennia; some are easily identifiable, others rarer. Though they were produced over an arc of time stretching from 5000 BCE to the present, only now have they achieved their true legibility. Agamben contends that we must understand that the images bequeathed by the past are really addressed to us, here and now; otherwise, our historical awareness is broken. Notwithstanding the attention to detail and the critical precautions that characterize the author’s method—they provoke us with a force, even a violence, that we cannot escape. When we understand why Dostoevsky feared losing his faith before Holbein’s Body of the Dead Christ, when Chardin’s Still Life with Hare is suddenly revealed to our gaze as a crucifixion or Twombly’s sculpture shows that beauty must ultimately fall, the artwork is torn from its museological context and restored to its almost prehistoric emergence. These artworks are beautifully reproduced in color throughout Agamben’s short but significant addition to his scholarly oeuvre in English translation.
In Renaissance palaces, the studiolo was a small room to which the prince withdrew to meditate or read, surrounded by paintings he particularly loved. This book is a kind of studiolo for its author, Giorgio Agamben, as he turns his philosophical lens on the world of Western art.
Studiolo is a fascinating take on a selection of artworks created over millennia; some are easily identifiable, others rarer. Though they were produced over an arc of time stretching from 5000 BCE to the present, only now have they achieved their true legibility. Agamben contends that we must understand that the images bequeathed by the past are really addressed to us, here and now; otherwise, our historical awareness is broken. Notwithstanding the attention to detail and the critical precautions that characterize the author’s method—they provoke us with a force, even a violence, that we cannot escape. When we understand why Dostoevsky feared losing his faith before Holbein’s Body of the Dead Christ, when Chardin’s Still Life with Hare is suddenly revealed to our gaze as a crucifixion or Twombly’s sculpture shows that beauty must ultimately fall, the artwork is torn from its museological context and restored to its almost prehistoric emergence. These artworks are beautifully reproduced in color throughout Agamben’s short but significant addition to his scholarly oeuvre in English translation.
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- en
- Bindwijze
- Paperback
- Oorspronkelijke releasedatum
- 23 april 2024
- Aantal pagina's
- 130
Betrokkenen
- Hoofdauteur
- Giorgio Agamben
- Hoofduitgeverij
- Seagull Books London Ltd
Vertaling
- Eerste Vertaler
- Alberto Toscano
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- Product breedte
- 140 mm
- Product hoogte
- 10 mm
- Product lengte
- 197 mm
- Verpakking breedte
- 140 mm
- Verpakking hoogte
- 10 mm
- Verpakking lengte
- 197 mm
- Verpakkingsgewicht
- 172 g
EAN
- EAN
- 9781803093680
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