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Lytton Strachey
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Lytton Strachey, whose iconoclastic reexaminations of historical figures forever changed the course of modern biographical writing, was born in London on March 1, 1880. He was educated in a series of private schools and attended University College, Liverpool, before entering Trinity College, Cambridge, in 1899. In London he found work as an essayist for various journals and became the drama critic for
The Spectator. The favorable reception of his first book,
Landmarks in French Literature (1912), bolstered his commitment to writing. Virginia Woolf said: ""The figure of Lytton Strachey is so important a figure in the history of biography that it compels a pause. For his three famous books,
Eminent Victorians,
Queen Victoria, and
Elizabeth and Essex, are of a stature to show both what biography can do and what biography cannot do. . . . The anger and the interest that his short studies of
Eminent Victorians aroused showed that he was able to make Manning, Florence Nightingale, Gordon, and the rest live as they had not lived since they were actually in the flesh. . . . In the lives of the two great Queens, Elizabeth and Victoria, he attempted a far more ambitious task. Biography had never had a fairer chance of showing what it could do. For it was now being put to the test by a writer who was capable of making use of all the liberties that biography had won."""
Intellettuale raffinato ed eccentrico, maestro della biografia storica, Lytton Strachey è stato anche un attento osservatore della realtà sociale del primo Novecento. In questi testi, qui tradotti per la prima volta in italiano, lo scrittore affronta i temi della morale nell’arte e della censura, riflette sul ruolo della donna e sull’omosessualità, s’interroga sul controllo demografico e sulla nascente psicanalisi freudiana. Si tratta di brevi conferenze scritte per gli incontri della confraternita universitaria degli «Apostoli» – un’isola di libero pensiero che raccoglieva molti importanti intellettuali britannici –, e di irresistibili dialoghi, dove lo scontro tra i sessi viene messo in scena con ritmo e umorismo degno di Oscar Wilde. Dal velo di leggerezza e provocatoria ironia, trapela un carattere coraggioso, privo di qualsiasi pregiudizio e pronto a mettere in pratica le proprie convinzioni, un tempo scandalose e oggi sorprendentemente attuali.
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