Van Dyck and the Making of English Portraiture
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Auteur:
Adam Eaker
- Engels
- Hardcover
- 9781913107345
- 27 september 2022
- 250 pagina's
Samenvatting
A new account of painting in early modern England centered on the art and legacy of Anthony van Dyck
A new account of painting in early modern England centered on the art and legacy of Anthony van Dyck
As a courtier, figure of fashion, and object of erotic fascination, Anthony van Dyck (1599–1641) transformed the professional identities available to English artists. By making his portrait sittings into a form of courtly spectacle, Van Dyck inspired poets and playwrights at the same time that he offended guardians of traditional hierarchies. A self-consciously Van Dyckian lineage of artists, many of them women, extends from his lifetime to the end of the eighteenth century and beyond.
Recovering the often surprising responses of both writers and painters to Van Dyck’s portraits, this book provides an alternative perspective on English art’s historical self-consciousness. Built around a series of close readings of artworks and texts ranging from poems and plays to early biographies and studio gossip, it traces the reception of Van Dyck’s art on the part of artists like Mary Beale, William Hogarth, and Richard and Maria Cosway to bestow a historical specificity on the frequent claim that Van Dyck founded an English school of portraiture.
Distributed for the Paul Mellon Centre for Studies in British Art
A new account of painting in early modern England centered on the art and legacy of Anthony van Dyck
As a courtier, figure of fashion, and object of erotic fascination, Anthony van Dyck (1599–1641) transformed the professional identities available to English artists. By making his portrait sittings into a form of courtly spectacle, Van Dyck inspired poets and playwrights at the same time that he offended guardians of traditional hierarchies. A self-consciously Van Dyckian lineage of artists, many of them women, extends from his lifetime to the end of the eighteenth century and beyond.
Recovering the often surprising responses of both writers and painters to Van Dyck’s portraits, this book provides an alternative perspective on English art’s historical self-consciousness. Built around a series of close readings of artworks and texts ranging from poems and plays to early biographies and studio gossip, it traces the reception of Van Dyck’s art on the part of artists like Mary Beale, William Hogarth, and Richard and Maria Cosway to bestow a historical specificity on the frequent claim that Van Dyck founded an English school of portraiture.
Distributed for the Paul Mellon Centre for Studies in British Art
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Inhoud
- Taal
- en
- Bindwijze
- Hardcover
- Oorspronkelijke releasedatum
- 27 september 2022
- Aantal pagina's
- 250
Betrokkenen
- Hoofdauteur
- Adam Eaker
- Hoofduitgeverij
- Paul Mellon Centre For Studies In British Art
Overige kenmerken
- Product breedte
- 191 mm
- Product lengte
- 270 mm
- Studieboek
- Nee
- Verpakking breedte
- 191 mm
- Verpakking hoogte
- 270 mm
- Verpakking lengte
- 270 mm
- Verpakkingsgewicht
- 0.67 kg
EAN
- EAN
- 9781913107345
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- Categorieën
- Taal
- Engels
- Stroming of stijl
- Barok
- Boek, ebook of luisterboek?
- Boek
- Periode
- ca. 1500-1800
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Bindwijze
: Hardcover
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