Her father a pharmacist and her mother a hairdresser and shopkeeper,
Ann Petry (1908-1997) graduated from the Connecticut College of Pharmacy and returned to her Old Saybrook, Connecticut, home town to work in the family pharmacy. Marrying in 1938, she moved to New York City, where she wrote for
The Amsterdam News and
The People's Voice, performed with the American Negro Theatre, studied art, and began to publish short stories. Her critically acclaimed first novel,
The Street (1946), became the first book by an African American woman to sell more than a million copies. Returning to Old Saybrook to raise her daughter, she went on to write the novels
Country Place (1947) and
The Narrows (1953),
Miss Muriel and Other Stories (1971), the young adult historical novels
Tituba of Salem Village (1955) and
Harriet Tubman: Conductor on the Underground Railroad (1955), and other works.
This 1953 novel is not only a noiresque literary page-turner, but a blistering critique on race and class.
INTRODUCED BY KAITLYN GREENIDGE
'Petry is the writer we have been waiting for, hers are the stories we need to fully illuminate the questions of our moment . . . insightful, prescient and unputdownable . . . The Narrows is the story of an interracial romance that proves that passion and prejudice are not mutually exclusive' Tayari Jones
It's Saturday, past midnight, and thick fog rolls in from the river like smoke. Link Williams is standing on the dock when he hears quick footsteps approaching, and the gasp of a woman too terrified to scream. After chasing off her pursuer, he takes the woman to a nearby bar to calm her nerves, and as they enter, it's as if the oxygen has left the room: they, and the other patrons, see in the dim light that he's Black and she's white.
Link is a brilliant Dartmouth graduate, former athlete and soldier who, because of the lack of opportunities available to him, tends bar; Camilo is a wealthy, married heiress who has crossed the town's racial divide to relieve the tedium of her privileged life. Brought together by chance, Link and Camilo draw each other into furtive encounters that violate the rigid and uncompromising social codes of their times.
'Petry will always feel on time. Her kind of talent will always feel startling and sui generis. . . . Her work endures not only because it illuminates reality, but because it harnesses the power of fiction to supplant it' Parul Seghal, New York Times
'The Street and The Narrows are masterpieces of social realism . . . . [Petry's] writing transcends comparisons. It's volatile but exacting, heartbreaking but often brutally funny. Labels don't stick to it' Wall Street Journal
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