Who Set You Flowin? The African-American Migration Narrative
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Auteur:
Farah Jasmine Griffin
- Engels
- Paperback
- 9780195088977
- 23 januari 1997
- 232 pagina's
Samenvatting
Twentieth-century America has witnessed the most widespread movement of African-Americans from the South to urban centres in the north. This study examines the impact of this dislocation identifying the resulting migration narratives as a major genre in African-American cultural production.
Twentieth-century America has witnessed the most widespread and sustained movement of African-Americans from the South to urban centres in the North. Who Set You Flowin'? examines the impact of this dislocation and urbanization, identifying the resulting Migration Narratives as a major genre in African-American cultural production. Griffin takes an interdisciplinary approach with readings of several literary texts, migrant correspondence, painting, photography, rap music, blues, and rhythm and blues. From these various sources Griffin isolates the tropes of Ancestor, Stranger, and Safe Space, which, though common to all Migration Narratives, vary in their portrayal. She argues that the emergence of a dominant portrayal of these tropes is the product of the historical and political moment, often challenged by alternative portrayals in other texts or artistic forms, as well as intra-textually. Richard Wright's bleak, yet cosmopolitan portraits were countered by Dorothy West's longing for Black Southern communities. Ralph Ellison, while continuing Wright's vision, reexamined the significance of Black Southern culture. Griffin concludes with Toni Morrison embracing the South "as a site of African-American history and culture," "a place to be redeemed."
Twentieth-century America has witnessed the most widespread and sustained movement of African-Americans from the South to urban centres in the North. Who Set You Flowin'? examines the impact of this dislocation and urbanization, identifying the resulting Migration Narratives as a major genre in African-American cultural production. Griffin takes an interdisciplinary approach with readings of several literary texts, migrant correspondence, painting, photography, rap music, blues, and rhythm and blues. From these various sources Griffin isolates the tropes of Ancestor, Stranger, and Safe Space, which, though common to all Migration Narratives, vary in their portrayal. She argues that the emergence of a dominant portrayal of these tropes is the product of the historical and political moment, often challenged by alternative portrayals in other texts or artistic forms, as well as intra-textually. Richard Wright's bleak, yet cosmopolitan portraits were countered by Dorothy West's longing for Black Southern communities. Ralph Ellison, while continuing Wright's vision, reexamined the significance of Black Southern culture. Griffin concludes with Toni Morrison embracing the South "as a site of African-American history and culture," "a place to be redeemed."
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- Paperback
- Oorspronkelijke releasedatum
- 23 januari 1997
- Aantal pagina's
- 232
- Illustraties
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- Hoofdauteur
- Farah Jasmine Griffin
- Hoofduitgeverij
- Oxford University Press Inc
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- New edition
- Extra groot lettertype
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- 235 mm
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- 16 mm
- Product lengte
- 156 mm
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- 159 mm
- Verpakking hoogte
- 19 mm
- Verpakking lengte
- 241 mm
- Verpakkingsgewicht
- 428 g
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- 9780195088977
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