Women, the Arts and Globalization Eccentric Experience
Afbeeldingen
Sla de afbeeldingen overArtikel vergelijken
- Engels
- Hardcover
- 9780719088759
- 01 maart 2013
- 288 pagina's
Samenvatting
This book brings transnational feminist theory and criticism together with women’s art practices to discuss the connections between aesthetics, gender and identity in a global world; shows the movement of women globally rarely matches dominant models of global exchange; traces their eccentric experiences of the effects of globalization.
Contemporary art is embedded within the structures that characterise globalization – from the transnational circulation of artworks as commodities to the cross-cultural exchange of images, objects and ideas – and the multiple and mobile territories described by these structures are always, already gendered. Women, the Arts and Globalization: Eccentric experience is the first anthology to address these interlinked issues, bringing transnational feminist theory and criticism together with women’s art practices in a coherent and sustained discussion of the legacy and trajectory of aesthetics, gender and identity on a global scale. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization. Women, the Arts and Globalization offers a multifaceted approach to this topic, from a variety of perspectives and positions; some texts argue for paradigm shifts in disciplines, fields or methodologies, others provide first-hand accounts of making art as a border-crossing activity. Some essays take a dialogic, interview form, whilst others use a micro-level mode of ‘close reading’ to demonstrate how particular works of art can articulate transnational and gendered aesthetics. The book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense.
Women, the arts and globalization: Eccentric experience is the first anthology to bring transnational feminist theory and criticism together with women’s art practices to discuss the connections between aesthetics, gender and identity in a global world. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization. Bringing scholarly essays on gender, art and globalization together with interviews and autobiographical accounts of personal experiences, the diversity of the book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense.
Contemporary art is embedded within the structures that characterise globalization – from the transnational circulation of artworks as commodities to the cross-cultural exchange of images, objects and ideas – and the multiple and mobile territories described by these structures are always, already gendered. Women, the Arts and Globalization: Eccentric experience is the first anthology to address these interlinked issues, bringing transnational feminist theory and criticism together with women’s art practices in a coherent and sustained discussion of the legacy and trajectory of aesthetics, gender and identity on a global scale. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization. Women, the Arts and Globalization offers a multifaceted approach to this topic, from a variety of perspectives and positions; some texts argue for paradigm shifts in disciplines, fields or methodologies, others provide first-hand accounts of making art as a border-crossing activity. Some essays take a dialogic, interview form, whilst others use a micro-level mode of ‘close reading’ to demonstrate how particular works of art can articulate transnational and gendered aesthetics. The book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense.
Women, the arts and globalization: Eccentric experience is the first anthology to bring transnational feminist theory and criticism together with women’s art practices to discuss the connections between aesthetics, gender and identity in a global world. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization. Bringing scholarly essays on gender, art and globalization together with interviews and autobiographical accounts of personal experiences, the diversity of the book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense.
Productspecificaties
Wij vonden geen specificaties voor jouw zoekopdracht '{SEARCH}'.
Inhoud
- Taal
- en
- Bindwijze
- Hardcover
- Oorspronkelijke releasedatum
- 01 maart 2013
- Aantal pagina's
- 288
- Illustraties
- Nee
Betrokkenen
- Hoofdredacteur
- Marsha Meskimmon
- Tweede Redacteur
- Dorothy Price
- Co Redacteur
- Dorothy C. Rowe
- Hoofduitgeverij
- Manchester University Press
Overige kenmerken
- Extra groot lettertype
- Nee
- Product breedte
- 156 mm
- Product hoogte
- 17 mm
- Product lengte
- 234 mm
- Studieboek
- Nee
- Verpakking breedte
- 156 mm
- Verpakking hoogte
- 19 mm
- Verpakking lengte
- 234 mm
- Verpakkingsgewicht
- 658 g
EAN
- EAN
- 9780719088759
Je vindt dit artikel in
- Categorieën
- Taal
- Engels
- Boek, ebook of luisterboek?
- Boek
- Studieboek of algemeen
- Algemene boeken
- Beschikbaarheid
- Leverbaar
Kies gewenste uitvoering
Bindwijze
: Hardcover
Prijsinformatie en bestellen
De prijs van dit product is 91 euro en 99 cent.
3 - 4 weken
Verkoop door bol
- Prijs inclusief verzendkosten, verstuurd door bol
- Ophalen bij een bol afhaalpunt mogelijk
- 30 dagen bedenktijd en gratis retourneren
- Dag en nacht klantenservice
Shop dit artikel
Rapporteer dit artikel
Je wilt melding doen van illegale inhoud over dit artikel:
- Ik wil melding doen als klant
- Ik wil melding doen als autoriteit of trusted flagger
- Ik wil melding doen als partner
- Ik wil melding doen als merkhouder
Geen klant, autoriteit, trusted flagger, merkhouder of partner? Gebruik dan onderstaande link om melding te doen.