Proceedings of the British Academy- Ariosto, the Orlando Furioso and English Culture

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  • Engels
  • Hardcover
  • 9780197266502
  • 31 januari 2019
  • 374 pagina's
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Oxford University Press

Oxford University Press had its origins in the information technology revolution of the late fifteenth century, which began with the invention of printing from movable type. The first book was printed in Oxford in 1478, only two years after Caxton set up the first printing press in England. Despite this early start, the printing industry in Oxford developed in a somewhat haphazard fashion over the next century. It consisted of a number of short-lived private businesses, some patronized by the University. But in 1586 the University itself obtained a decree from the Star Chamber confirming its privilege to print books. This was further enhanced in the Great Charter secured by Archbishop Laud from King Charles I, which entitled the University to print 'all manner of books'. The University established its right to print the King James Authorized Version of the Bible in the seventeenth century. This Bible Privilege formed the basis of a profitable business throughout the next two centuries and was the spur to OUP's expansion. A Bible warehouse was set up in London, which later grew into a major publisher of books with educational or cultural content aimed at the general reader. OUP then began to expand internationally, starting with the opening of an American office in 1896. Oxford's traditions of religious and academic publication were followed in New York. The first book published by the American office was the Scofield Reference Bible in 1909. After it came The Life of Sir William Osler, which won the Pulitzer Prize in 1926. Six more Pulitzers, several National Book Awards, and over a dozen Bancroft Prizes in American history have followed since. Since 1896, the business has changed considerably, with the growth and evolution of schools' publishing, particularly in the Branches; the introduction of English Language Teaching, Music, Journals, and Trade and General publishing; and the use of new technologies.

Samenvatting

The Orlando Furioso remains a masterpiece of Italian literature and stands as a key contribution to European Renaissance culture as a whole. This collection brings together cutting-edge research by international scholars and examines why Ariosto's magnum opus continues to excite cultural interest even today.



Marking the fifth centenary of the publication of the first edition of the Italian masterpiece, Ariosto, the Orlando Furioso and English Culture brings together an international team of Renaissance scholars from a wide variety of disciplines to analyse in detail the diffuse impact which the epic poem had upon English culture from the Tudor century to the present day. Translated into English in the 1590s by Sir John Harington, godson of Elizabeth I, the influence of Ariosto's poem can be traced in literature, music and the visual arts, from Spenser and Milton to modern media adaptations. In addition, the collection reflects upon the ways in which successive editions and translations, examples of critical reception, rewritings and adaptations in different media (in particular opera) all shaped the rich and evolving understanding of the adventures of Orlando, Angelica, Medoro, Olympia, and Sacripante in the cultural and artistic production of England across the centuries.

Productspecificaties

Inhoud

Taal
en
Bindwijze
Hardcover
Oorspronkelijke releasedatum
31 januari 2019
Aantal pagina's
374
Illustraties
Nee

Betrokkenen

Hoofdredacteur
Jane E. Everson
Tweede Redacteur
Andrew Hiscock
Co Redacteur
Stefano Jossa
Hoofduitgeverij
Oxford University Press

Overige kenmerken

Extra groot lettertype
Nee
Product breedte
164 mm
Product hoogte
29 mm
Product lengte
242 mm
Studieboek
Nee
Verpakking breedte
164 mm
Verpakking hoogte
29 mm
Verpakking lengte
242 mm
Verpakkingsgewicht
734 g

EAN

EAN
9780197266502

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