Seeing the New South Race and Place in the Photographs of Ulrich Bonnell Phillips
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Co-auteur:
John David Smith
- Engels
- Hardcover
- 9781611171051
- 30 januari 2013
- 136 pagina's
John David Smith
John David Smith is the Charles H. Stone Distinguished Professor of History at the University of North Carolina, Charlotte. He has been a fellow of the American Council of Learned Societies and received the Myers Center Award for the Study of Human Rights in North America. He currently serves as contributing editor for the
Journal of American History and on the editorial boards of several scholarly journals. Among the books he has authored or edited are
Black Voices from Reconstruction; Slavery, Race and American History; and
Black Judas: William Hannibal Thomas and “The American Negro,” which won The Mayflower Society Award for Nonfiction. He has appeared on The History Channel, as an authority on the U.S. Colored Troops, and on Voice of America, as an authority on conservative racial thought during the Age of Jim Crow.
Samenvatting
Ulrich Bonnell Phillips (1877–1934) established a reputation as one of the early twentieth century's foremost authorities on the history of African American slavery and the Old South. An empiricist, Phillips approached his subjects analytically and dispassionately, and his scholarship shaped historical investigation of the South for decades. Phillips was an empiricist and based his writing on an array of primary sources, including a growing collection of photographs he accumulated during his research. These images of plantation crops and machinery, agricultural scenes, distinctive architecture, white southerners, and former slaves and their descendants collectively record much about the life and labour in the rural South three decades before the Farm Security Administration undertook its own documentary projects during the New Deal.
In Seeing the New South, photography historian Patricia Bellis Bixel and Phillips scholar and historian John David Smith delve into the visual record Phillips left behind, publishing many of these photographs for the first time, and integrating his photographic archive with his research and teachings on the history of the South. For example, his Life and Labor in the Old South, published in 1929, was well illustrated with useful photographs. The bulk of Phillips's papers resides in the Sterling Memorial Library at Yale University. The collection includes sixty lantern slides and many photographic prints that Phillips employed in his work. Bixel and Smith uncovered another five hundred images that greatly expanded Phillips's visual archive. Taken between 1904 and 1930, these images provide glimpses of a Southern landscape rarely seen and even more rarely photographed, offering a striking visual account of early-twentieth-century life in the rural South.
Phillips deliberately sought out images of buildings and agricultural scenes emblematic of the South, representative portraits of white and black southerners, and distinctive depictions of farm and town life. Some photographs reinforce Phillips's arguments about the general backwardness of an impoverished rural South and about the limitations of the region's agricultural and industrial economies. But his images also documented active independent black and white communities with diverse economic practices and subcultures. This first-ever collection of Phillips's photographs provides dramatic documentation of economic and social life during an era seldom captured on film, yielding striking visual portraits of human dignity in black and white.
In Seeing the New South, photography historian Patricia Bellis Bixel and Phillips scholar and historian John David Smith delve into the visual record Phillips left behind, publishing many of these photographs for the first time, and integrating his photographic archive with his research and teachings on the history of the South. For example, his Life and Labor in the Old South, published in 1929, was well illustrated with useful photographs. The bulk of Phillips's papers resides in the Sterling Memorial Library at Yale University. The collection includes sixty lantern slides and many photographic prints that Phillips employed in his work. Bixel and Smith uncovered another five hundred images that greatly expanded Phillips's visual archive. Taken between 1904 and 1930, these images provide glimpses of a Southern landscape rarely seen and even more rarely photographed, offering a striking visual account of early-twentieth-century life in the rural South.
Phillips deliberately sought out images of buildings and agricultural scenes emblematic of the South, representative portraits of white and black southerners, and distinctive depictions of farm and town life. Some photographs reinforce Phillips's arguments about the general backwardness of an impoverished rural South and about the limitations of the region's agricultural and industrial economies. But his images also documented active independent black and white communities with diverse economic practices and subcultures. This first-ever collection of Phillips's photographs provides dramatic documentation of economic and social life during an era seldom captured on film, yielding striking visual portraits of human dignity in black and white.
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- Hardcover
- Oorspronkelijke releasedatum
- 30 januari 2013
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- 136
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- Hoofdauteur
- Patricia Bellis Bixel
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- John David Smith
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- John David Smith
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- University Of South Carolina Press
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