Slowhand -SACD- (Hybride/Stereo/5.1)

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  • CD
  • 1 stuk(s)
  • Introductie: 2004-11-09
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  • Dit artikel kan enkel worden geretourneerd als de originele verzegeling niet gebroken is.

Productbeschrijving

niet meer verkrijgbaar, SACD

Tracklist

Productspecificaties

Gegevens

Eerste Artiest
Eric Clapton
Oorspronkelijke releasedatum
09 november 2004
Label
Polydor
EAN
0602498180716

Productinformatie

Drager
CD
Aantal stuks in verpakking
1 stuk(s)
Speelduur
00:39:04
Mono of stereo
Stereo

Overige kenmerken

Compilatie
Nee
Country
Verenigde Staten
Muziekgenre
Pop
Soort verpakking
Jewel Case
Verpakking breedte
142 mm
Verpakking hoogte
10 mm
Verpakking lengte
120 mm
Verpakkingsgewicht
55 g

EAN

EAN
0602498180716

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Artiest
Eric Clapton

Reviews

1 review
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  • emperors new clothes

    Redbook vs. Hi-Rez
    peteraczel | 17 October, 2007 10:19
    Proven: Good Old Redbook CD Sounds the Same as the Hi-Rez Formats
    Incontrovertible double-blind listening tests prove that the original 16-bit/44.1-kHz CD standard yields exactly the same two-channel sound quality as the SACD and DVD-A technologies.
    In the September 2007 issue of the Journal of the Audio Engineering Society (Volume 55, Number 9), two veteran audio journalists who aren’t professional engineers, E. Brad Meyer and David R. Moran, present a breakthrough paper that contradicts all previous inputs by the engineering community. They prove beyond a shadow of a doubt, with literally hundreds of double-blind listening tests at matched levels, conducted over a period of more than a year, that the two-channel analog output of a high-end SACD/DVD-A player undergoes no audible change when passed through a 16-bit/44.1-kHz A/D/A processor. That means there’s no audible difference between the original CD standard (“Red Book”) and 24-bit/192-kHz PCM or 1-bit/2.8442-MHz DSD.
    Please note that this is not just a disagreement with the cloud-cuckoo-land tweako audiophiles but also with the highest engineering authorities, such as the formidable J. Robert Stuart of England’s Meridian Audio and others with similar credentials. That the Meyer-Moran tests leave no room for continued disagreements is an occasion for the most delicious Schadenfreude on the part of electronic soundalike advocates like yours truly. I stated my suspicions that SACD was no improvement over CD seven years ago, in my review of the first Sony SACD player, the SCD-1, in Issue No. 26 of The Audio Critic (downloadable from this website). I could hear no difference between the CD and SACD layers of the same disc when stopping the player and switching over, instant toggling between the two layers being impossible.

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