The Daltons, Volume I

A THEATRE by daylight, a great historical picture in the process of cleaning, a ballet-dancer of a wet day hastening to rehearsal, the favorite for the Oaks dead-lame in a straw-yard, are scarcely more stripped of their legitimate illusions than is a fashionable watering-place on the approach of winter. The gay shops and stalls of flaunting wares are closed; the promenades, lately kept in trimmest order, are weed-grown and neglected; the "sear and yellow leaves" are fluttering and rustling along the alleys where "Beauty's step was wont to tread." Both music and fountains have ceased to play; the very statues are putting on great overcoats of snow, while the orange-trees file off like a sad funeral procession to hide themselves in dusky sheds till the coming spring. You see as you look around you that nature has been as unreal as art itself, and that all the bright hues of foliage and flower, all the odors that floated from bed and parterre, all the rippling flow of stream and fountain, have been just as artistically devised, and as much "got up," as the transparencies or the Tyrolese singers, the fireworks or the fancy fair, or any other of those ingenious "spectacles" which amuse the grown children of fashion. The few who yet linger seem to have undergone a strange transmutation. The smiling landlord of the "Adler" we refer particularly to Germany as the very land of watering-places is a half-sulky, farmer-looking personage, busily engaged in storing up his Indian corn and his firewood and his forage, against the season of snows. The bland "croupier," on whose impassive countenance no shade of fortune was able to mark even a passing emotion, is now seen higgling with a peasant for a sack of charcoal, in all the eagerness of avarice. The trim maiden, whose golden locks and soft blue eyes made the bouquets she sold seem fairer to look on, is a stout wench, whose uncouth fur cap and wooden shoes are the very antidotes to romance. All the transformations take the same sad colors. It is a pantomime read backwards. Such was Baden-Baden in the November of 182-. Some weeks of bad and broken weather had scattered and dispersed all the gay company. The hotels and assembly-rooms were closed for the winter. The ball-room, which so lately was alight with a thousand tapers, was now barricaded like a jail. The very post-office, around which each morning an eager and pressing crowd used to gather, was shut up, one small aperture alone remaining, as if to show to what a fraction all correspondence had been reduced. The Hotel de Russie was the only house open in the little town; but although the door lay ajar, no busy throng of waiters, no lamps, invited the traveller to believe a hospitable reception might await him within. A very brief glance inside would soon have dispelled any such illusion, had it ever existed. The wide staircase, formerly lined with orange-trees and camellias, was stripped of all its bright foliage; the marble statues were removed; the great thermometer, whose crystal decorations had arrested many a passing look, was now encased within a wooden box, as if its tell-tale face might reveal unpleasant truths, if left exposed.