Dr. Faustus A Parallel-Text Edition

Dr. Faustus is one of the jewels of early modern English drama, and is still widely performed today. Interestingly, the play has come down to the contemporary audience in two distinct versions that have become known as the 'A' and the 'B' texts. David Bevington and Eric Rasmussen, who edited the original Revels edition over twenty years ago (and ar

Dr Faustus, first published in 1604 long after Christopher Marlowe had died (in 1593) and then published in an expanded version in 1616, has long fascinated readers and scholars alike as one of the great puzzles in Renaissance English drama. Marlowe himself was highly controversial in his own day, and remains so today, as a daringly heterodox writer. The so-called A-text of 1604 is very short, with missing and misplaced scenes. Some passages are clearly not by Marlowe, but by some other dramatist commissioned by the theatre entrepreneur Philip Henslowe to supplement Marlowe’s incomparable tragic writing with some comic horseplay. The B-text adds a considerable amount of material from the Faustbook, padding out the story with more raucous comedy to satisfy audience longings for more magical stunts. This edition uniquely presents the two texts in facing pages, making the reader aware of the changing tastes of audiences, the stage history of the play, and of just how intricate ‘editing’ a play can be.

With a concise and illuminating introduction, and relevant notes and images, this Revels Student Edition of the 'A' and 'B' texts of Dr Faustus will prove to be an enthralling document, and an excellent edition for student and theatre-goer alike.

Dr. Faustus is one of the jewels of early modern English drama, and is still widely performed today. Interestingly, the play has come down to the contemporary audience in two distinct versions that have become known as the 'A' and the 'B' texts. David Bevington and Eric Rasmussen, who edited the original Revels edition over twenty years ago (and are two of the most eminent editors currently working), have hit upon the fascinating idea of presenting both texts on facing pages. This allows readers to compare the two ‘versions’, the ‘A’ text which is the one closest to Marlowe, and the longer ‘B’ text with additions by Samuel Rowley; in this unique edition, the reader is made aware of the changing tastes of audiences, the stage history of the play, and of just how intricate ‘editing’ a play can be.

With a concise and illuminating introduction, and relevant notes and images, this Revels Student Edition of the 'A' and 'B' texts of Dr. Faustus will prove to be an enthralling document, and an excellent edition for student and theatre-goer alike.