Francis Bacon The Logic of Sensation
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Auteur:
Daniel W Smith
Francis Bacon
- Engels
- Hardcover
- 9780826466471
- 22 april 2003
- 228 pagina's
Francis Bacon
Francis Bacon, philosopher, essayist, lawyer and statesman, was born in London in 1561. He studied at Cambridge and was enrolled at Gray’s Inn in 1576. In 1584 he entered Parliament as the member for Melcombe Regis, subsequently representing other constituencies. Bacon made the acquaintance of the Earl of Essex, who endeavored to advance him in his career. Nevertheless, having been appointed to investigate the causes of Essex’s revolt in 1601, Bacon was largely responsible for the earl’s conviction. Bacon was appointed Solicitor-General in 1607 and was successively Attorney-General (1613), Lord Keeper (1617) and Lord Chancellor (1618). He was created Baron Verulam in 1618 and Viscount St. Albans in 1621. Later in that year he was charged with bribery and confessed that he had been guilty of ‘corruption and neglect’ but denied that he had ever perverted justice. He was deprived of the Great Seal, fined, imprisoned in the Tower and disabled from sitting in Parliament. Following his release, he retired to the family home at Gorhambury, Hertfordshire, and his remaining years were spent in literary and philosophical work. It was Bacon’s ambition to create a new system of philosophy to replace that of Aristotle, and he has been justly acclaimed as an inspiration to later scientists, rationalists and materialists. Of his philosophical works, the principal and best known are
The Advancement of Learning,
Novum Organum and
De Augmentis. He also wrote several professional works including
Maxims of the Law and
Reading on the Statue of Uses. Of his literary writings the most important are the
Essays (1597; issued in final form in 1625),
De Sapientia Veterum,
Apophthegms New and Old and a
History of Henry VII. Francis Bacon died in 1626
Samenvatting
Gilles Deleuze was one of the most influential and revolutionary philosophers of the 20th century. Francis Bacon was widely regarded as one of the most radical painters of the 20th century. This book presents a deep engagement with Bacon's work and the nature of art.
Gilles Deleuze was one of the most influential and revolutionary philosophers of the twentieth century. Francis Bacon: The Logic of Sensation is his long-awaited work on Bacon,widely regarded as one of the most radical painters of the twentieth century.The book presents a deep engagement with Bacon's work and the nature of art. Deleuze analyzes the distinctive innovations that came to mark Bacon's style: the isolation of the figure, the violation deformations of the flesh, the complex use of color, the method of chance, and the use of the triptych form. Along the way, Deleuze introduces a number of his own famous concepts, such as the 'body without organs' and the 'diagram,' and contrasts his own approach to painting with that of both the phenomenological and the art historical traditions.Deleuze links Bacon's work to CTzanne's notion of a 'logic' of sensation, which reaches its summit in color and the 'coloring sensation.' Investigating this logic, Deleuze explores Bacon's crucial relation to past painters such as Velasquez, CTzanne, and Soutine, as well as Bacon's rejection of expressionism and abstract painting.Long awaited in translation, Francis Bacon is destined to become a classic philosophical reflection on the nature of painting.
Gilles Deleuze was one of the most influential and revolutionary philosophers of the twentieth century. Francis Bacon: The Logic of Sensation is his long-awaited work on Bacon,widely regarded as one of the most radical painters of the twentieth century.The book presents a deep engagement with Bacon's work and the nature of art. Deleuze analyzes the distinctive innovations that came to mark Bacon's style: the isolation of the figure, the violation deformations of the flesh, the complex use of color, the method of chance, and the use of the triptych form. Along the way, Deleuze introduces a number of his own famous concepts, such as the 'body without organs' and the 'diagram,' and contrasts his own approach to painting with that of both the phenomenological and the art historical traditions.Deleuze links Bacon's work to CTzanne's notion of a 'logic' of sensation, which reaches its summit in color and the 'coloring sensation.' Investigating this logic, Deleuze explores Bacon's crucial relation to past painters such as Velasquez, CTzanne, and Soutine, as well as Bacon's rejection of expressionism and abstract painting.Long awaited in translation, Francis Bacon is destined to become a classic philosophical reflection on the nature of painting.
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- 22 april 2003
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