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John Buchan
John Buchan was born in Perth. His father was a minister of the Free Church of Scotland; and in 1876 the family moved to Fife where in order to attend the local school the small boy had to walk six miles a day. Later they moved again to the Gorbals in Glasgow and John Buchan went to Hutchesons' Grammar School, Glasgow University (by which time he was already publishing articles in periodicals) and Brasenose College, Oxford. His years at Oxford - 'spent peacefully in an enclave like a monastery' - nevertheless opened up yet more horizons and he published five books and many articles, won several awards including the Newdigate Prize for poetry and gained a First. His career was equally diverse and successful after university and, despite ill-health and continual pain from a duodenal ulcer, he played a prominent part in public life as a barrister and Member of Parliament, in addition to being a writer, soldier and publisher. In 1907 he married Susan Grosvenor, and the marriage was supremely happy. They had one daughter and three sons. He was created Baron Tweedsmuir of Elsfield in 1935 and became the fifteenth Governor-General of Canada, a position he held until his death in 1940. 'I don't think I remember anyone,' wrote G. M. Trevelyan to his widow, 'whose death evoked a more enviable outburst of sorrow, love and admiration.'
Twelve stories comprise John Buchan's last collection of short stories, a classic of British interwar short fiction written from 1913 to 1927.
Buchan's most popular character Richard Hannay battles an ancient curse in South Africa in `The Green Wildebeest' and Edward Leithen tags along in an assassins' war in `Sing a Song of Sixpence'. The Runagates Club features First World War spy and code-cracking thrillers `The Loathly Opposite' and `Dr Lartius'; tales of supernatural possession in deepest Wales, comfortable Oxfordshire and the House of Commons, in `The Wind in the Portico', Fullcircle' and `"Tendebant Manus"'; and stories of survival in the far North and in Depression-era Canada with `Skule Skerry' and `Ship to Tarshish'. There is farce too, in `The Frying-Pan and the Fire' and `"Divus" Johnston', and the riotous journalistic romp of `The Last Crusade' is the last word on fake news, for all eras.
What makes The Runagates Club special is that Buchan designed it as a showcase to bring together the best of his magazine fiction. He repurposed these stories with new beginnings, framing them as after-dinner stories told over the port in a late 1920s private gentleman's dining-club. This is interwar storytelling at its very best, with a critical introduction by Kate Macdonald, a leading authority on Buchan’s writing.
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