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  • Engels
  • E-book
  • 9781448112630
  • 31 oktober 2012
  • 112 pagina's
  • Adobe ePub
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Bruce Chatwin

"Charles Bruce Chatwin (13 May 1940 – 18 January 1989) was an English travel writer, novelist, and journalist. His first book, In Patagonia (1977), established Chatwin as a travel writer, although he considered himself instead a storyteller, interested in bringing to light unusual tales. He won the James Tait Black Memorial Prize for his novel On the Black Hill (1982), while his novel Utz (1988) was shortlisted for the Man Booker Prize. In 2008 The Times named Chatwin number 46 on their list of ""50 Greatest British Writers Since 1945.""

(Bron: Wikipedia. Beschikbaar onder de licentie Creative Commons Naamsvermelding/Gelijk delen.)"

Samenvatting

In 1812, Francisco Manoel da Silva, escaping a life of poverty in Brazil, sailed to the African kingdom of Dahomey, determined to make his fortune in the slave trade. Armed with nothing but an iron will, he became a man of substance in Ouidah and the founder of a remarkable dynasty. His one remaining ambition is to return to Brazil in triumph, but his friendship with the mad, mercurial king of Dahomey is fraught with danger and threatens his dream.

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Inhoud

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en
Bindwijze
E-book
Oorspronkelijke releasedatum
31 oktober 2012
Aantal pagina's
112
Ebook Formaat
Adobe ePub
Illustraties
Nee

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Hoofdauteur
Bruce Chatwin
Hoofduitgeverij
Vintage Digital

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1
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EAN

EAN
9781448112630

Je vindt dit artikel in

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Engels
Boek, ebook of luisterboek?
Ebook
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Brazilie
Studieboek of algemeen
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  • A formidable fictionalised biography of a slave trader

    Positieve punten

    • Fantasierijk
    • Goede verhaallijn
    • Meeslepend verhaal
    • Spannend
    • Spannend
    Toon alleen de eerste 3 punten

    In only 101 pages, Bruce Chatwin (BC) evokes the life and times of Francisco Manoel da Silva (FMdS), who was a Brazilian slave trader in the African kingdom of Dahomey from 1812 until his death in 1857. His brilliant novella starts with a powerful description of the annual celebration of his passing away in Benin by his many present-day, rather impoverished descendents, who now form branches of a true Diaspora. They hope, some are convinced, that somewhere, somehow the supposed tremendous richness supposedly accumulated by the founder of the dynasty, is hidden, buried somewhere. BC’s novella is a dazzling piece of reading and in today’s terms politically incorrect, as it should be: each character is simply an extension of the era’s principal protagonists’ world views about the need for human sacrifice, for warfare, for profit from dealing in human bodies.
    E.g., the Dahomey king argues: tradition rules there shall be war every dry season. What to do with captives? Behead them to reassure the elders, the Dead Kings that I have not gone soft in the head, or sell them in one piece to FMdS to live on in Brazil? There is a lot of madness in this book.
    BC’s previous job at Sotheby’s guarantees total authenticity for the novella’s visual impact by effortlessly naming the artefacts en vogue at the time, the imported brands, fabrics, household items, luxuries, tools, pieces of dress, etc. Similarly, BC has done exhaustive archival and field research in Britain, Brazil and Benin, as Dahomey is called today. In fact, during his early research there, he was mistaken for a mercenary after a failed coup and almost executed. In his posthumously published collection of journalistic writing called What Am I Doing Here, he admits the incident delayed the writing of this truly fabulous novella.

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